AlexanderTsymbalyuk
Contact
For availability and general enquiries:
Mark Hildrew
For availability and general enquiries:
Paul Meyer zu Schwabedissen
For availability and general enquiries:
Sebastian Mallet
Representation
About Alexander
This season Alexander has already returned to Staatsoper Hamburg for a new production of Boris Godunov and will also return to Teatro San Carlo di Napoli for Turandot and Norma, New National Theatre Tokyo for Eugene Onegin, Teatro Real Madrid for Meistersinger and Musikfest Bremen for Il trovatore. On the concert platform he will sing Beethoven’s Symphony No.9 at the Gran Théâtre du Luxembourg, Iolanta with the Royal Philharmonic at the Royal Albert Hall and Bruckner’s Te Deum with the London Symphony Orchestra at the Barbican Centre.
Previous highlights include Lady Macbeth von Mtsensk, Lucia di Lammermoor, Turandot, Eugene Onegin and Le nozze di Figaro at the Bayerische Staatsoper; Ferrando (Il Trovatore) at the Royal Opera House Covent Garden and Eugene Onegin and the title role in Boris Godunov at the Opéra national de Paris, Rigoletto at the Lyric Opera of Chicago. He returns to The Metropolitan Opera as Timur (Turandot), Bayerische Staatsoper as Fasolt (Das Rheingold), and Staatsoper Hamburg as Gremin (Eugene Onegin). Further appearances included Rubenstein’s The Demon at the Liceu Barcelona; and in concert: Don Giovanni in Japan, Samson et Dalila at the Théâtre des Champs Elysées, and Boris Godunov at the Concertgebouw.
Representation
Season Highlights
Video
Alexander Tsymbalyuk sings Boris Godunov
Alexander sings the title role in this new production. Credit: Staatsoper Hamburg
PlayingAlexander Tsymbalyuk sing Il Commendatore at the Met
Alexander sings "Don Giovanni, a cenar teco" Credit: Metropolitan Opera House
PlayingAlexander Tsymbalyuk sings Beethoven's Symphony no.9 in D minor.
Alexander Tsymbalyuk sings Beethoven's Symphony No. 9 in D minor, conducted by Laurence Equilbey and the Insula Orchestra in January 2023. Credit: Insula Orchestra
PlayingAlexander Tsymbalyuk sings Il Grande Inquisitor
Alexander Tsymbalyuk sings “Son io dinanzi al Re?” as the Grand Inquisitor in Verdi’s Don Carlo at the Teatro San Carlo, Naples in 2022, conducted by Juraj Valčuha. Credit: Teatro San Carlo
PlayingAlexander Tsymbalyuk sings Boris Godunov
Trailer from the première of Modest Mussorgsky’s ‘Boris Godunov’ on February 13, 2013 at Bayerische Staatsoper, Munich in Alexander's role debut as Boris Godunov. Credit: Bayerische Staatsoper
Playing
Audio
- Dargomyzhsky Ja vas ljubil
- Malashkin O jesli b´mog vyrazit v zvuke
Selected Repertoire
| Bellini | I puritani (Sir Giorgio Valton) • Norma (Oroveso) |
|---|---|
| Donizetti | Lucia di Lammermoor (Raimondo Bibedint) • Maria Stuarda (Talbot) |
| Dvorak | Rusalka (Vodnik*) |
| Mozart | Don Giovanni (Commendatore) • Le nozze di Figaro (Bartolo) • Die Zauberflöte (Sarastro*) |
| Mussorgsky | Boris Godunov (Title Role, Pimen*) |
| Puccini | La boheme (Colline) • Tosca (Angelotti) • Turandot (Timur) |
| Shostakovich | Lady Macbeth of Mtsensk (Chief of Police, Old Convict) |
| Tchaikovsky | Eugene Onegin (Prince Gremin) • Iolanta (King Rene) • Pique Dame (Surin) |
| Verdi | Aida (Il Re) • Attila (Leone) • Don Carlo (Filippo II, Inquisitore) • Macbeth (Banquo) • Otello (Lodovico) • Rigoletto (Sparafucile) • Simon Boccanegra (Jacopo Fiesco) • Il Trovatore (Ferrando) |
| Wagner | Die Meistersinger von Nürnberg (Nachtwächter) • Parsifal (Titurel) • Das Rheingold (Fafner, Fasolt) • Siegfried (Fafner) • Tannhäuser (Biterolf) |
News
Press
Die Meistersinger von Nürnberg
Teatro Real MadridApr 2024Fabuloso el Sereno de Alexander Tsymbalyuk, casi —como se suele decir— el más wagneriano del reparto, aunque le dejaran sin su instrumento musical Alexander Tsymbalyuk's Fabulous Night Watchman, almost - as they say - the most Wagnerian of the cast, even though they left him without his musical instrument
- José María Marco, Opera Actual
- 25 April 2024
Alexander Tsymbalyuk was a sonorous Night Watchman.
- José Irurzun, Seen and Heard International
- 28 April 2024
También fue un lujo recurrir a un bajo de la entidad de Alexander Tsymbalyuk para la parte del Sereno. It was also a luxury to use a bass from Alexander Tsymbalyuk's entity for the Sereno part.
- Alejandro Martínez, Platea Magazine
- 29 April 2024
Un comentario al margen merece la labor del bajo ucraniano Alexander Tsymbalyuk quien interpretó con impresionantes medios las bellísimas melodías que le impuso la partitura a la breve parte del sereno y por lo que bien merecería un ascenso directo a maestro cantor. The work of the Ukrainian bass Alexander Tsymbalyuk deserves a comment, who interpreted with impressive means the beautiful melodies that the score imposed on the brief part of the watchman and for which he would well deserve a direct promotion to master singer.
- Daniel Lara, Opera World
- 29 April 2024
También fue un lujo recurrir a un bajo de la entidad de Alexander Tsymbalyuk para la parte del Sereno. It was also a luxury to use a bass from Alexander Tsymbalyuk 's entity for the watchman part.
- Alejandro Martinez, Platea Magazine
- 29 April 2024
En lo que toca a la parte vocal, estuvo muy bien y muy entregado el coro, así como los papeles secundarios y los maestros, con especial destaque para el Sereno de Alexander Tzymbalyuk Regarding the vocal part, the choir was very good and very dedicated, as well as the supporting roles and the teachers, with special emphasis on Alexander Tzymbalyuk's Sereno
- Teresa Cascudo, Mundo Clasico
- 03 May 2024
