AlexanderVinogradov
Representation
Worldwide general management with Askonas Holt
About Alexander
Internationally-celebrated bass Alexander Vinogradov made his debut at the Bolshoi Theatre at the age of 21 as Oroveso in Norma. He has worked with leading conductors including Gustavo Dudamel, Daniel Barenboim, Kent Nagano, Vladimir Jurowski, Yannick Nezet-Seguin, Lorin Maazel, Mariss Jansons, Zubin Mehta, Placido Domingo, Valery Gergiev, Philippe Jordan, Antonio Pappano, Yuri Temirkhanov, Vasily Petrenko, Dmitrij Kitajenko, and Helmuth Rilling.
Recent opera appearances include, Count Walter (Luisa Miller), Raimondo (Lucia di Lammermoor) and Escamillo (Carmen) for The Metropolitan Opera, Fiesco (Simon Boccanegra), Banquo, Count Walter, Zaccaria (Nabucco) and Phillippe II (Don Carlos) for Hamburgische Staatsoper; Procida (I vespri siciliani), Banquo and Filippo II (Don Carlos) in Valencia; Filippo II in Los Angeles and Athens; Silva (Ernani) in Marseilles and Melbourne; Attila in Sydney, Méphistophélès (Faust) in Macerata and Jerez and Escamillo in Rome, Zürich, Munich and Arena di Verona, Timur (Turandot) and 4 villains in Tales of Hoffmann in Barcelona, Marcel (Les Huguenots) in Brussels, Enrico VIII (Anna Bolena), Rodolfo (Sonnambula) and Banco in Teatro San Carlo di Napoli, Zaccaria in Florence, Dresden, Verona, Madrid, Berlin and at the Royal Opera House Covent Garden.
Recent concert appearances include Beethoven’s 9th Symphony at the BBC Proms, Shostakovich's 13th Symphony in Montreal and 14th Symphony in Hamburg, a Verdi Gala in Zurich and concert performances of La Damnation de Faust in Berlin and Vienna.
Alexander has appeared at many festivals and opera houses around the world, including Teatro alla Scala, Royal Opera House Covent Garden, Opéra national de Paris, Deutsche Staatsoper Berlin, Staatsoper Hamburg, Staatsoper Munich, Staatsoper Vienna, Teatro Real Madrid, Teatro La Fenice, Théâtre du Châtelet, Ravinia Festival, Macerata Festival, Gergiev Festival, Palau de les Arts Valencia, Opéra de Lyon, Bolshoi Theatre, Semperoper Dresden, Santa Fe Opera, Grand Théâtre de Bordeaux, Washington National Opera, Teatro Colon, Buenos Aires, Teatro Teresa Carreño Caracas, New National Theatre Tokyo, Hollywood Bowl, Teatro Regio Turin, Opéra de Monte-Carlo, Teatro de la Maestranza, Teatro Massimo di Palermo, Teatro San Carlo and Arena di Verona.
Representation
Worldwide general management with Askonas Holt
Season Highlights
Video
Alexander Vinogradov - "Babi Yar" from Symphony No. 13 (Shostakovich)
Credit: Alexander Vinogradov
PlayingAlexander Vinogradov - “D’Egitto là su i lidi” Nabucco (Zaccaria)
Credit: Alexander Vinogradov
PlayingAlexander Vinogradov sings "Oh Chi Piange di Femmine Imbelli" Nabucco (Zaccaria)
Credit: Alexander Vinogradov
PlayingAlexander Vinogradov "Votre toast, je peux vous le rendre" Carmen (Escamillo)
Credit: Alexander Vinogradov
Playing
Selected Repertoire
| Beethoven | Fidelio (Ferrando) |
|---|---|
| Bellini | Norma (Oroveso) |
| Berlioz | Damnation de Faust (Mephisto) |
| Bizet | Carmen (Escamillo) |
| Donizetti | Lucia di Lammermoor (Raimondo) |
| Gounod | Faust (Mefistopheles), Romeo et Juliette (Frere Laurent) |
| Mozart | Die Zauberflöte (Sprecher, Sarastro) • Le nozze di Figaro (title role) • Don Giovanni (title role), Leporello, Masetto |
| Mussorgsky | Boris Godunov (Pimen) |
| Ponchielli | La Gioconda (Alvise) |
| Prokofiev | Love of Three Oranges (Tchelio) |
| Puccini | La bohème (Colline) • Turandot (Timur) |
| Rachmaninov | Aleko (title role), Francesca da Rimini (Malatesta) |
| Rimsky-Korsakov | Tsar’s Bride (Sobakin, Skuratov) • Mozart and Salieri (Salieri) |
| Rossini | l barbiere di Siviglia (Basilio) • Il turco in Italia (Selim) • Guillaume Tell (Walther Fürst) |
| Shostakovich | Lady Macbeth of Mtsensk (Old Convict) • The Nose (Doctor, Clerk) |
| Strauss | Elektra (Oreste) |
| Tchaikovsky | Eugene Onegin (Gremin) • Iolanta (King René) |
| Verdi | Aida (Ramfis) • Attila (title role) • Don Carlo (Filippe II, Inquisitore) • Ernani (Silva) • La Forza del Destino (Marchese di Calatrava, Padre Guardiano) • Luisa Miller (Walther) • Nabucco (Zaccaria) • Macbeth (Banquo) • Otello (Ludovico) • Simone Boccanegra (Fiesco) • I vespri Siciliani (Procida) • Rigoletto (Sparafucile) |
| Wagner | Der Fliegende Holländer (Daland) |
News
Press
Les Huguenots
La Monnaie, BrusselsJun 2022La basse russe Alexander Vinogradov laisse pantois par ses imposants moyens, apportant à son personnage de Marcel non seulement les ressources d’une basse profonde, mais aussi une juste vocalità, …une typologie vocale dont il est l’un des rares (dignes) représentants aujourd’hui. [Translated] The Russian bass Alexander Vinogradov leaves you flabbergasted with his imposing material, bringing to his character of Marcel not only the resources of a deep bass, but also a right vocalità,…a vocal typology of which he is one of the rare (worthy) representatives today.
- Emmanuel Andrieu, Opera Online
- 26 June 2022
Alexander Vinogradov en Marcel s’inscrit dans la tradition des grandes basses chantantes, attachante, réconfortante dans le timbre, assumant les trilles dans le grave (Grand Trio du dernier acte) et la noblesse de ton dans le Choral. [Translated] Alexander Vinogradov as Marcel joins the ranks of great lyric basses, touching, comforting in his timbre, delivering trills in low register (Grand Trio of the last act) and nobility in the whole Choral.
- Alain Attyasse, Resmusica
- 22 June 2022
La révélation de la soirée est le Marcel d’Alexander Vinogradov, huguenot austère et inflexible [Translated] The discovery of the evening is Marcel of Alexander Vinogradov, austere and inflexible.
- Patrice Lieberman, Bachtrack
- 17 June 2022
En prise de rôle et débuts maison également, Alexander Vinogradov a la profondeur de voix incommensurable de Marcel. Droite, profonde et directe, la basse russe perce avec aisance pour dessiner son rôle avec assise et retenue. [Translated] In his role and house debut, Alexander Vinogradov has the immeasurable depth of voice of Marcel. Straight, deep and direct, the Russian bass easily succeeds to draw his role with poise and restraint.
- Soline Heurtebise, Olyrix
- 17 June 2022
