AlinaIbragimova

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Alina Ibragimova
Alina Ibragimova

Contact

For availability and general enquiries:

For contracts, logistics and press:

Holly Cartwright

Holly Cartwright

Assistant Artist Manager

Representation

General Management with Askonas Holt

Partner Managers:
Colbert Artists (North America)
Medem Music (Spain)
Eurassic Tokyo (Japan)
Liu Kutow (China)

About Alina

The 2024/25 season sees Alina perform with the London Philharmonic Orchestra, Detroit Symphony, Rundfunk-Sinfonieorchester Berlin, Bamberger Symphoniker, WDR Sinfonieorchester, Düsseldorfer Symphoniker, City of Birmingham Symphony and Swedish Chamber Orchestra, working with Vladimir Jurowski, Hannu Lintu, Anja Bihlmaier, Michael Sanderling, Iván Fischer and Krzysztof Urbański. She also continues her partnership with pianist Cédric Tiberghien for recital tours of the United States, United Kingdom and Japan.

Highlights of the previous two seasons have included concerts with Deutsches Symphonie-Orchester Berlin, Netherlands Radio Philharmonic, Budapest Festival Orchestra, Camerata Salzburg, San Francisco Symphony, Pittsburgh Symphony, Helsinki Philharmonic, Royal Stockholm Philharmonic and Deutsche Kammerphilharmonie Bremen, with conductors including Robin Ticciati, Ryan Bancroft, Maxim Emelyanychev and Daniel Harding. She was also artist-in-residence with the Mahler Chamber Orchestra and toured Europe with the Scottish Chamber Orchestra and Kammerorchester Basel.

Alina regularly appears at Amsterdam’s Concertgebouw, Hamburg’s Elbphilharmonie, Berlin’s Pierre Boulez Saal, Vienna’s Konzerthaus, London’s Wigmore Hall, Tokyo's Metropolitan Theatre and at the Royal Albert Hall where she performed Bach’s Sonatas and Partita as part of the BBC Proms. She is a founding member of the Chiaroscuro Quartet – one of the world’s most sought-after period ensembles.

Alina is based in Berlin

Download programme biography   

Representation

General Management with Askonas Holt

Partner Managers:
Colbert Artists (North America)
Medem Music (Spain)
Eurassic Tokyo (Japan)
Liu Kutow (China)

Season Highlights

Sep 2024
Konzerthaus, Berlin
Mendelssohn: Violin Concerto Vladimir Jurowski (conductor) Rundfunk-Sinfonieorchester Berlin
Sep 2024
Cologne Philharmonie
Mendelssohn: Violin Concerto Anja Bihlmaier (conductor) WDR Sinfonieorchester
Feb 2025
Konserthus, Orebro
Schumann: Violin Concerto Martin Fröst (conductor) Swedish Chamber Orchestra

Selected Repertoire

Bach, JSViolin Concertos
BartókViolin Concertos No. 1 & 2
BeethovenViolin Concerto
BergViolin Concerto
Brahms Violin Concerto   •   Double Concerto
Gruber, HKNebelsteinmusik
HartmannConcerto funebre
Haydn, JViolin Concerto in C major
LigetiViolin Concerto
MendelssohnViolin Concerto in E minor   •   Violin Concerto in D minor   •   Concerto for Piano and Violin
MozartViolin Concertos No. 2-5   •   Sinfonia Concertante   •   Concertone for Two Violins
ProkofievViolin Concerto No. 1
RoslavetsViolin Concertos No. 1 & 2
ShostakovichViolin Concertos No. 1 & 2
SibeliusViolin Concerto
Strauss, RViolin Concerto
StravinskyViolin Concerto
TchaikovskyViolin Concerto
Vaughan WilliamsThe Lark Ascending
Wallin, Rolf"Whirld"
WidmannViolin Concerto No. 1
ZimmermanViolin Concerto

Sample Programmes

  • Solo Recital

    Ysaÿe: Sonata for solo violin in G 'Pastorale' Op. 27, No. 5 Paganini: Caprice in B flat Op. 1, No. 13 Paganini: Caprice in E flat Op. 1 No. 19 Paganini: Caprice in A minor Op. 1 No. 24 Berio: Sequenza VIII interval Biber: Passacaglia in G minor 'The Guardian Angel' Bartók: Sonata for solo violin BB124

  • Duo Recital with Cédric Tiberghien

    Janáček: Violin Sonata Enescu: Violin Sonata No. 3 interval Gerald Barry: Triorchic Blues Beethoven: Violin Sonata No. 9, “Kreutzer”

News

Press

  • Beethoven Violin Concerto with Deutsches Symphonie-Orchester Berlin and Václav Luks

    Berlin Philharmonie
    May 2024
    • Alina Ibragimova scaled the greatest musical heights, yet in the most endearing manner. Avoiding ostentatious virtuosity, she played with a purity of intonation seldom heard, understanding like few others how to really make music with an orchestra. Rather than storming brazenly ahead, she turned to her colleagues again and again, integrating herself both audibly and visibly into the proceedings, which led to a totally natural and coherent homogeneity. This Beethoven could hardly have been more beautiful or more moving.

      • Berliner Morgenpost