AmandaMajeski

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Soprano
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Nicholas Moloney

Nicholas Moloney

Senior Artist Manager
Grace Hewett

Grace Hewett

Assistant Artist Manager

Representation

European and Asian Management with Askonas Holt
General Management with Fletcher Artist Management

About Amanda

Internationally renowned American soprano Amanda Majeski is a celebrated interpreter of Mozart, Strauss, Wagner and Handel. She is also highly acclaimed for her portrayal of Janáček’s Káťa Kabanová, making her debut with that role at the Royal Opera House, Covent Garden (Best New Opera Production at the 2019 Olivier Awards), and having been described as “Katya of the moment”, following the London Symphony Orchestra concert performance conducted by Sir Simon Rattle in 2023.

During the 2024/25 season, Majeski returns to Semperoper Dresden as the title role in Strauss’ Salome. She will return to the Boston Symphony Orchestra to perform Beethoven’s Symphony No. 9 and will return to her alma mater for the Curtis Institute Centennial Gala. Majeski will make her debut with the Madison Symphony Orchestra performing Strauss’ Four Last Songs and Mozart’s Requiem.

In previous seasons, Ms. Majeski has performed at some of the top stages worldwide. Recent highlights include her Metropolitan Opera debut as Countess Almaviva Le nozze di Figaro, as well as returning to perform Donna Elvira Don Giovanni and Fiordiligi Così fan tutte. At Semperoper Dresden Majeski performed her critically acclaimed title role in Janáček's Káťa Kabanová, and starred in productions of Alcina, Le clemenza di Tito, Le nozze di Figaro and Capriccio. She performed Marta The Passenger, 3rd Norn/Gutrune Götterdämmerung at Teatro Ral Madrid, at Oper Frankfurt she sang the title role Rusalka and her first Marschallin, and Countess Madeleine Capriccio, Komponist  Ariadne auf Naxos  and Fiordiligi  Così fan tutte for Santa Fe Opera. Majeski has also appeared with the Dutch National Opera, the Opéra de Paris, Pittsburgh Opera, Washington National Opera, Opernhaus Zurich and the Glyndebourne Festival Opera.

On the concert platform Majeski has performed with the Los Angeles Philharmonic (cond. Gustavo Dudamel), Boston Symphony Orchestra, London Symphony Orchestra, Sydney Symphony Orchestra, Nürnberger Symphoniker and the Sinfonieorchester Aachen. Her performance of Gutrune Götterdämmerung with the Hong Kong Philharmonic cond. Jaap van Zweden was released on Naxos Records. Her many recital appearances have included Italienisches Liederbuch at 92nd Street Y with pianist Julius Drake and her solo recital debut at Carnegie Hall.

Majeski holds degrees from the Curtis Institute of Music and Northwestern University. She was a member of San Francisco Opera’s Merola Program, the Gerdine Young Artist Program at Opera Theatre of St. Louis, and the Steans Institute at Ravinia, and is alumnus of the Ryan Opera Center. Awards include the George London Foundation Award, first prize of the Palm Beach Opera Vocal Competition, and a Sara Tucker Study Grant from the Richard Tucker Foundation.

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Representation

European and Asian Management with Askonas Holt
General Management with Fletcher Artist Management

Season Highlights

Mar 2024 - Mar 2024
Teatro Real, Madrid
Mieczyslaw Weinberg - Die Passagierin (Marta) Mirga Gražinytè-Tyla (conductor)
Apr 2024 - May 2024
Dresden Semperoper
Leoš Janáček - Katja Kabanova (title role) Alejo Pérez (conductor)
Jul 2024
Tanglewood Festival, USA
Wagner - Götterdämmerung (Gutrune) Andris Nelsons (conductor)

Selected Repertoire

AdamsDr Atomic (Kitty Oppenheimer)
BizetCarmen (Michaela)
BrittenPeter Grimes (Ellen Orford)   •   Midsummer Night’s Dream (Helena)
DeliusA Village Romeo and Juliet (Vreli)
DvořákRusalka (Rusalka)
GluckIphigénie en Tauride (Iphigénie)
HandelAlcina (Alcina)   •   Giulio Cesare (Cleopatra)
HumperdinckKönigskinder (Gänsemagd)
JanáčekKatya Kabanova (Katya Kabanova)   •   Jenufa (Jenufa)   •   Makropulus Affair (Emilia Marty)
MoniuszkoHalka (Halka)
MozartLe nozze di Figaro (Contessa Almaviva)   •   Don Giovanni (Donna Elvira)   •   La clemenza di Tito (Vitellia)   •   Così fan tutte (Fiordiligi)
PoulencDialogues of the Carmelites (Blanche)
StraussDer Rosenkavalier (Marshallin)   •   Ariadne auf Naxos (Komponist)   •   Capriccio (Gräfin)   •   Arabella (Arabella)   •   Salome (Salome)
TchaikovskyEugene Onegin (Tatyana)   •   Iolanta (Iolanta)   •   Pique Dame (Liza)
WagnerGötterdämmerung (Gutrune, 3rd Norn)   •   Tannhäuser (Venus)
WeinburgThe Passenger (Marta)

News

Press

  • Kát'a Kabanová Concert | LSO cond. Sir Simon Rattle

    The Barbican Centre
    Jan 2023
    • She’s an artist of the highest calibre, with a glorious voice, ample, opulent in tone and wonderfully expressive over a wide dynamic range. But without Jones’s at times distracting interventions, her portrayal of Katya’s emotional collapse became even more harrowing in its veracity and immediacy.

    • …it would not be easy to find the role better sung, warm, sensitive, always projecting over the orchestra and, most importantly, glowing with lyrical beauty.

    • Majeski inhabited the role of Katya with every facial feature, but it was the voice which truly amazed. Angelic at first, then in Act III more dramatic. Majeski has also sung the role at the Concertgebouw, in Chicago and elsewhere. She must be the Katya of the moment.