Anna CaterinaAntonacci
Contact
For availability and general enquiries:
Fabiana Dalpiaz
Kate Robson
Representation
About Anna Caterina
Established as one of the finest sopranos of her generation, Anna Caterina won prestigious prizes at the Voci Verdiane, Callas and Pavarotti competitions.
She has been honoured with the ‘Chevalier de l’Ordre National de la Légion d’honneur’ by the French Republic, which is the highest national distinction one can receive. Her first recording Era la Notte for the Naïve label received great acclaim and she has also recorded L’Alba separa dalla luce l’ombra for Wigmore Live, with her pianist Donald Sulzen, featuring songs by Tosti, Cilea, and Hahn.
Anna Caterina was elected one of the ‘Accademici Effettivi’ by the distinguished panellists of the General Assembly of the Academicians of Santa Cecilia in 2021.
Her recent highlights include performances of the role Madame de Croissy in Poulenc’s Dialogues des Carmélites in a production by Emma Dante at the Teatro dell’Opera di Roma, as well as the Bayerische Staatsoper. In the upcoming 2024/25 season, Anna Caterina looks forward to a recital at the Accademia Nazionale di Santa Cecila with Donald Sulzen and a revival of her role as Madame de Croissy in Poulenc’s Dialogues des Carmélites, this time at the Teatro la Fenice.
Representation
Season Highlights
Video
Anna Caterina Antonacci: Poulenc’s “La Voix Humaine” (Verbier Festival, July 2022)
Anna Caterina Antonacci joins the Verbier Festival Chamber Orchestra and conductor, Claudio Vandelli, to perform “La Voix Humaine” by Francis Poulenc. Directed by: Corentin Leconte Venue: Salle des Combins (Verbier, Switzerland) Credit: Production: © Idéale Audience Video Credit: © Medici.tv
PlayingAnna Caterina Antonacci sings Iphigénie en Tauride, Grand Théâtre de Genève
Credit: Grand Théâtre de Genève
PlayingAnna Caterina Antonacci - "La voix humaine" (Paris, 2013)
Credit: Opera Comique
PlayingDido's Lament / Anna Caterina Antonacci / Accademia degli Astrusi / Federico Ferri
Henry Purcell - Dido's Lament da Dido and Aeneas Anna Caterina Antonacci - soprano, Accademia degli Astrusi, Federico Ferri - direttore Violini: Lorenzo Colitto, Maurizio Cadossi, Marco Bianchi, Daniela Godio, Gabriele Raspanti, Gianandrea Guerra, Isabella Bison, Nicola Bignami Viole: Gianni Maraldi, Valentina Soncini Violoncelli: Mauro Valli, Cecilia Amadori Violone: Giovanni Valgimigli Tiorba, arciliuto e chitarra barocca: Stefano Rocco, Maurizio Piantelli Arpa doppia: Marianne Gubri Clavicembalo e organo: Daniele Proni Credit: Teatro Comunale di Bologna
Playing0:12 / 9:38 Anna Caterina Antonacci talks with Francesca Zambello - Two Women & The Trojans - ITALIAN
Credit: San Francisco Opera
Playing
Selected Repertoire
BERLIOZ | La Damnation de Faust • Les Troyens (Cassandre) |
---|---|
BIZET | Carmen |
BRITTEN | Gloriana |
CHERUBINI | Medea |
FAURE | Pénélope |
GLUCK | Armide • Alceste • Iphigenie en Tauride |
MASSENET | Don Quichotte • Werther (Charlotte) |
MONTEVERDI | Incoronazione di Poppea (Poppea and Nerone) • Orfeo |
OFFENBACH | La Grande-Duchesse de Gérolstein • La Périchole |
PAISIELLO | Nina pazza per amore |
POULENC | La voix humaine |
RAVEL | L’heure espagnole |
ROSSINI | Ermione |
WOLF-FERRARI | Il segreto di Susanna |
Press
Medea (Benda)
Auditorium Niccolò Paganini, ParmaFeb 2024[...] a incarnare Medea c’era l’arcidivinissima Anna Caterina Antonacci, le cui rare apparizioni sono sempre epifanie gloriose [...] [translated] [...] to embody Medea there was the archdivine Anna Caterina Antonacci, whose rare appearances are always glorious epiphanies [...]
- Alberto Mattioli, La Stampa
- 11 February 2024