AubreeOliverson

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Violin
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Contact

For availability and general enquiries:

Edward Pascall

Edward Pascall

Associate Director

For contracts, logistics and press:

Maya Feldman

Maya Feldman

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

About Aubree

Praised for her evocative lyricism and joyful, genuine approach, young American violinist Aubree Oliverson is proving to be one of the most compelling artists of her generation, distinguishing herself with clear, honest, and colourful performances, which have been described as “powerful… brimming with confidence and joy” by the Miami New Times.

Acclaimed as a “masterful” soloist (San Diego Story), Aubree’s most recent solo appearances in 2023 include season openings of the Chamber Orchestra of New York at Carnegie Hall (di Vittorio), Utah Symphony at Abravanel Hall (Morlot), Peace Orchestra Project (Mengoli), and Ridgefield Symphony with a pairing of the Barber and Esmail violin concertos. Other season highlights include performances with the Royal Liverpool Philharmonic (Teychenné), Columbus Symphony (Miller), Orquesta Sinfónica de Navarra (Hoving), North Carolina Symphony (Prieto), Pacific Symphony (St. Clair), Des Moines Symphony (St. Clair), Amarillo Symphony (Jackson), Moldavian Philharmonic (Macek), Excelentia Madrid (Braunstein), Slovak Sinfonietta (Foron), Rousse Philharmonic Orchestra (Sachedina), New Haven Symphony (So), Puerto Rico Symphony (Valdés), and the Kontrapunktus Baroque Ensemble; in works by Brahms, Dvorak, Barber, Bruch, Korngold, Mendelssohn, Tchaikovsky, Weinberg, Haydn, Saint-Saens, Esmail, and Bach.

A dynamic recitalist and sensitive chamber musician, Aubree recently toured Europe with Jean-Yves Thibaudet, Clive Greensmith, and Tatjana Masurenko and collaborates this season with Anne Akiko Meyers and the Philharmonic Society of Orange County in duo works of Bach, Philip Glass, and Handel-Halvorsen. Other engagements include festivals such as the Aix-en-Provence Easter Festival with Gil Shaham, the Rome Chamber Music Festival, Oropa Music Festival, Moab Music Festival, ChamberFest West, and recitals at the Grand Teton Music Festival and SOKA Performing Arts Center, among many others. Ms. Oliverson has collaborated with world-renowned artists such as Robert McDuffie in Harris Hall at the Aspen Music Festival, Gil Shaham on tour in Mexico, Renaud Capuçon in France, Joseph Silverstein in Salt Lake City, and Lynn Harrell, Orli Shaham, Robert Chen, and Andrew Marriner in Los Angeles.

Aubree is based in Utah and Berlin

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Representation

Worldwide general management with Askonas Holt

Season Highlights

Sep 2024
Princeton Symphony Orchestra
TCHAIKOVSKY: Violin Concerto in D major, Op. 35 Rossen Milanov (conductor) Princeton Symphony Orchestra (debut)
Nov 2024
National Music Center, San Jose
BEETHOVEN: Violin Concerto in D major, Op. 61 Rossen Milanov (conductor) Costa Rica Symphony
Feb 2025
The Zagreb Philharmonic
KORNGOLD: Violin Concert in D major, Op. 35 David Danzmayr (conductor) The Zagreb Philharmonic Orchestra (debut)

Selected Repertoire

BachConcerto in E major   •   Concerto in A minor
Bach, CPEFlute Concerto in D minor (trans. for violin by Aubree Oliverson)
BarberViolin Concerto, Op.14
BeethovenConcerto in D major   •   Romance in G major   •   Romance in F major
BrahmsConcerto in D major, Op. 77
BruchConcerto No.1 in G minor, Op.26
ChaussonPoème for Violin and Orchestra, Op.25
ConusViolin Concerto
DvorakViolin Concerto, Op.53
EsmailBlue Room Violin Concerto
HaydnConcerto in C major, Hob. VIIa:1
KabalevskyConcerto in C Major, Op. 48
KorngoldConcerto in D Major, Op. 35
MendelssohnConcerto in E minor, Op. 64
MozartConcerto No.5 in A major
Pergolesi Concerto in B-flat Major
ProkofievConcerto No.2, Op.63
SibeliusViolin Concerto, Op.47
TchaikovskyViolin Concerto, Op.35   •   Souvenir d'un Lieu Cher, Op.42
VivaldiFour Seasons
WeinbergConcertino for Violin and String Orchestra

News

Press

  • Tchaikovsky, Violin Concerto

    Orquesta Sinfonica de Navarra
    Oct 2023
    • Violinist Aubree Oliverson not only exhibited the supreme technique necessary for Tachikovsky's devilish concerto, but had moments of sensitivity and preciousness in the calm intervals of the stress of virtuosity that predominates. Soon the triple strings, extreme intervals, dotted rhythms, arpeggios, trills emerge... And the American soloist shows excellent tuning and that peace of mind for the audience that something that is known to be so difficult, turns out to be easy.