BenBliss

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Tenor
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Contact

For availability and general enquiries:

Mathieu Levan

Mathieu Levan

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

About Ben

Hailed as a “truly exceptional tenor” by the National Review, Ben Bliss is quickly establishing himself as one of the most exciting performers on today’s operatic stage, both in his native America and internationally. Ben has been cited as “an exemplar of the Mozartean tenor” for his “purity of tone, vocal control and artistic sensitivity” (Opera Warhorses).

Ben’s 24/25 season includes two roles at the Metropolitan Opera - a debut as Eric in Jeanine Tesori's new opera Grounded, and Tamino in Die Zauberflöte. Ben also returns to the Opéra national de Paris as Tom Rakewell in The Rake's Progress by Stravinsky, and will perform the role of Jupiter in Handel's Semele for his house debuts at both the Royal Opera House and the Théâtre des Champs Elysées. Concert engagements include performances with the Metropolitan Opera and Yannick Nézet-Séguin at Carnegie Hall, as well as with the Chamber Music Society Lincoln Center.

Last season highlights include house debuts at the Opéra national de Paris as Don Ottavio in Don Giovanni and at the Wiener Staatsoper as Ferrando in Così fan tutte. Ben also had a role debut as Roméo in Roméo et Juliette with the Lyric Opera of Kansas City, performed as Tamino in Die Zauberflöte and Pélléas in Pélléas et Mélisande with the Bayerische Staatsoper, and returned to the Canadian Opera Company as Don Ottavio in Don Giovanni. Outside of the opera house, Ben performed Beethoven’s 9th Symphony with San Francisco Symphony and Michael Tilson-Thomas, and a recital with Soprano Louise Adler at Wigmore Hall.

Ben is based in New York

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Representation

Worldwide general management with Askonas Holt

Season Highlights

Sep 2024
The Metropolitan Opera
Tesori: Grounded (Eric)
Dec 2024
Opéra national de Paris
Stravinsky: The Rake's Progress (Tom Rakewell)
Feb 2025
Théâtre des Champs-Elysées
Handel: Semele (Jupiter)

Photos

Selected Repertoire

AdesThe Tempest (Caliban)
BerliozBeatrice et Benedict (Benedict)
BrittenBilly Budd (Captain Vere)   •   The Turn of the Screw (Peter Quint)   •   Death in Venice (Aschenbach)   •   Rape of Lucretia (Male Chorus)
DebussyPelleas et Melisande (Pelleas)
DonizettiL’Elisir D’Amore (Nemorino)
GluckIphigenie en Tauride (Pylade)
GounodRomeo et Juliette (Romeo)
HandelSolomon (Zadok)   •   Alcina (Oronte)   •   Semele (Jupiter)
JanacekJenufa (Steva)
MozartDon Giovanni (Don Ottavio)   •   Cosi fan tutte (Ferrando)   •   Die Zauberflote (Tamino)   •   La Clemenza di Tito (Tito)   •   Die Entführung aus dem Serail (Belmonte)
PoulencLes Dialogues des Carmelites (Chevalier de la Force)
PutsSilent Night (Nikolaus Sprink)
SmetanaThe Bartered Bride (Vasek)
StravinskyThe Rake’s Progress (Tom Rakewell)
TchaikowskyEugene Onegin (Lensky)
TesoriGrounded (Eric)
VerdiLa Traviata (Alfredo)   •   Rigoletto (Duca)   •   Falstaff (Fenton)
WagnerDie Meistersinger (David)

News

Press

  • Don Giovanni (Don Ottavio)

    Opera National de Paris
    Sep 2023
    • Le Don Ottavio du ténor Ben Bliss, faisant ses débuts à l’Opéra national de Paris, est tout particulièrement réactif sur scène. Il s’agît d’un rôle parfois ingrat en raison de ses pages sublimes mais au sort fastidieux, voire carrément sot… contre toute attente, le ténor paraît prendre énormément de plaisir à interpréter ses airs avec beaucoup de souplesse vocale et une grande musicalité. [TRANSLATED] Tenor Ben Bliss's Don Ottavio, making his Paris Opera debut, is particularly responsive on stage. It's a role that's sometimes thankless because of its sublime pages, but tedious, even downright silly... against all expectations, the tenor seems to take great pleasure in performing his arias with great vocal flexibility and musicality.

    • Capable lui-aussi de douceur, le ténor nord-américain Ben Bliss livre un Ottavio plus droit, également plus lyrique, dont la ligne est magnifiquement maîtrisée. Les deux Anna s’opposent dans leur caractère plus que dans les moyens vocaux. [TRANSLATED] Also capable of gentleness, the North American tenor Ben Bliss delivers a straighter Ottavio, also more lyrical, whose line is magnificently mastered.

      • Anaclase
      • 29 September 2023