DovletNurgeldiyev

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Mark Hildrew

Mark Hildrew

Executive Director
Sebastian Mallet

Sebastian Mallet

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

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About Dovlet

The 2023/24 season begins with role debuts as Grigorij and Dimitrij in a new production of Boris Godunov at Staatsoper Hamburg. Other roles in Hamburg this season are Steva (Jenůfa), Lensky (Eugene Onegin), and Frère Massée (Saint François d’Assise). He will also return to Bayerische Staatsoper for Belmonte (Die Entführung aus dem Serail). In concert Dovlet will sing Beethoven’s Ninth Symphony on tour in Spain with the Orchestre National de Lyon and will perform Shostakovich’s Thirteenth Symphony with Kent Nagano at Staatsoper Hamburg.

Recent highlights include Belmonte in a new production of Die Entführung aus dem Serail at Staatsoper Hamburg; Alfred in Die Feldermaus at the Opéra National de Lyon, made his role debut Steva in Jenůfa at Opéra de Rouen Normandie. Last season he sang Nemorino (L’elisir d’amore) at Opéra de Lausanne, performances of Alfredo (La traviata) in Dublin and Alfred (Die Fledermaus), Lensky (Eugene Onegin), and a successful role debut as Walther von der Vogelweide (Tannhäuser) at Hamburgische Staatsoper.

Dovlet is based in Hamburg, Germany

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Representation

Worldwide general management with Askonas Holt

Follow Dovlet

Season Highlights

Sep 2023
Hamburgische Staatsoper
Mussorgsky Boris Godunov (Grigorij / Dmitrij) Kent Nagano (conductor) Frank Castorf (director)
Nov 2023
Auditori de Barcelona and Auditorio Nacional de Música de Madrid
Orchestre National de Lyon Beethoven Symphony no.9 in D-minor Nikolaj Szeps-Znaider (conductor)
Jan 2024 - Feb 2024
Bayerische Staatsoper
Mozart Die Entführung aus dem Serail (Belmonte) Ivor Bolton (conductor) Martin Duncan (director)

Selected Repertoire

BelliniI Capuleti e i Montecchi (Tebaldo*)
BerliozBéatrice et Bénédict (Bénédict)
BizetPearl Fishers (Nadir)
BorodinPrince Igor (Vladimir Igorevich)
DonizettiAnna Bolena (Lord Percy*)   •    L’elisir d’amore (Nemorino)   •   Don Pasquale (Ernesto)   •   Lucia di Lammermoor (Edgardo*)
GounodRoméo et Juliette (Roméo)   •   Faust (title role)
HaydnOrlando Paladino (Medoro)
J. StraussDie Fledermaus (Alfred)
JanáčekJenufa (Števa Buryja)   •   Katya Kabanova (Váňa Kudrjaš)
MassenetManon (Des Grieux*)
MessiaenSaint François d’Assise (Frère Massée)
MonteverdiIl ritorno d’Ulisse in patria (Telemaco)
MozartCosi fan tutte (Ferrando)   •   Die Entführung aus dem Serail (Belmonte)   •   Die Zauberflöte (Tamino)   •   Don Giovanni (Don Ottavio)   •   La finta giardiniera (Contino Belfiore)   •   La clemenza di Tito (title role*)   •   Idomeneo (title role*)
MussorgskyBoris Godunov (Grigoriy, Dmitrij)
NicolaiDie lustigen Weiber von Windsor (Fenton)
PoulencDialogues des Carmelites (Chevalier de la Force)
PucciniGianni Schicchi (Rinuccio*)
R. StraussDer Rosenkavalier (Italian Tenor*)   •   Die Fledermaus (Alfred)
RachmaninoffAleko (Young Gypsy)
Rimsky-KorsakovThe Tsar’s Bride (Lykov)
TchaikovskyEugene Onegin (Lensky)   •   Iolanta (Vaudemont)
VerdiFalstaff (Fenton)   •   La Traviata (Alfredo)   •   Nabucco (Isamaele)   •   Otello (Cassio)   •   Simon Boccanegra (Gabriele Adorno)
WagnerDas Rheingold (Loge*)   •   Der fliegende Holländer (Steuermann, Erik*)   •   Die Meistersinger (David*)   •   Die Walküre (Sigmund*)   •   Tannhäuser (Walther von der Vogelweide)

Press

  • Tannhauser

    Hamburgische Staatsoper
    May 2023
    • The crown of beautiful singing in the second act competition went to Walther von der Vogelweide sung by Dovlet Nurgeldiyev. I have never heard a more beautiful singing performance by tenors in this role. He had foundation and color in depth and sang with perfect legato. Die Krone des Schöngesangs beim Wettbewerb im zweiten Aufzug gebührte dem von Dovlet Nurgeldiyev gesungenen Walther von der Vogelweide. Nie habe ich einen schöneren Gesangsvortrag bei Tenören dieser Partie gehört. Er hatte Grundierung und Farbe in der Tiefe und sang mit perfektem Legato.