EkaterinaSiurina

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Soprano
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Mark Hildrew

Mark Hildrew

Executive Director
Seb Mallet

Seb Mallet

Associate Artist Manager

Representation

Worldwide general management with Askonas Holt

About Ekaterina

In the 2023/24 season Ekaterina made a major debut at New National Theatre Tokyo as Tatiana in Eugene Onegin and released her critically acclaimed Delos CD "Where Is My Beloved" with Constantine Orbelian and the Kaunas City Symphony Orchestra.

Recent engagements include L’elisir d’amore and Falstaff at the Bayerische Staatsoper, her debut as Donna Anna (Don Giovanni) at the Wiener Staatsoper, Adina (L’elisir d’amore) for Pittsburgh Opera and a return to the Royal Opera House Covent Garden as Mimì. Concert appearances included the Rossini Stabat Mater with the Orchestre d’Île de France conducted by Maestro Mazzola.

Her operatic roles include Donna Anna (Don Giovanni) at Wiener Staatsoper, Pamina (Die Zauberflöte), Mimì (La bohème), Rigoletto and Gianni Schicchi for the Royal Opera House, L’elisir d’amore for Bayerische Staatsoper, Pittsburgh Opera and Opera de Nice, Glyndebourne Festival, Staatsoper Berlin and Hamburgische Staatsoper, Le nozze di Figaro at the Opéra national de Paris, Zerlina (Don Giovanni) at the Salzburg Festival, Susanna (Le nozze di Figaro) at Teatro alla Scala, Violetta (La traviata with the Canadian Opera Company, Leila (Les pêcheurs de perles) at Opera Australia, Guilietta (I Capuleti e I Montecchi) at the Liceu Barcelona and Rigoletto at the Arena di Verona.

Ekaterina is based in Los Angeles, USA, Berlin, Germany

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Representation

Worldwide general management with Askonas Holt

Season Highlights

Jan 2024 - Feb 2024
New National Theatre Tokyo
Eugene Onegin (Tatiana) Valetin Uryupin (conductor) Dmitry Bertman (director) House debut

Selected Repertoire

Bellini I Capuleti e i Montecchi (Giulietta)   •   I Puritani (Elvira)   •   La Sonnambula (Amina)
BizetCarmen (Micaëla)   •   Les Pecheurs de Perles (Leila)
BoitoMefistofele (Margherita)
CileaAdriana Lecouvreur (title role)
DonizettiDon Pasquale (Norina)   •   L’elisir d’amore (Adina)
DvořákRusalka (title role)
GlinkaRuslan and Lyudmila (Lyudmila)
GluckOrfeo et Euridice (Euridice)
GounodRomeo et Juliette (Juliette)
Mozart Cosi fan Tutte (Fiordiligi*)   •   Clemenza di tito (Servilia)   •   Don Giovanni (Donna Anna)   •   Idomeneo (Ilia)   •   Lucio Silla (Giunia)   •   Le Nozze di Figaro (Susanna)   •   Die Zauberflöte (Pamina
OffenbachLes Contes de Hoffmann (Antonia)
PucciniLa bohème (Mimi)   •   Gianni Schicchi (title role)   •   Madama Butterfly (Cio-Cio San)   •   Manon Lescaut (title role)   •   Suor Angelica (title role)   •   Turandot (Liu)
Rimsky-KorsakovThe Snowmaiden (title role)   •   The Tsar’s Bride (Marfa)
StravinskyThe Rake’s Progress (Anne Trulove)
TchaikovskyIolanta (title role)   •   Eugene Onegin (Tatyana)
VerdiRigoletto (Gilda)   •   Falstaff (Nannetta)   •   La Traviata (Violetta)   •   Simon Boccanegra (Maria Boccanegra)

Press

  • Eugene Onegin

    New National Theatre Tokyo
    Jan 2024 - Feb 2024
    • The de facto protagonist, Tatyana, was convincingly portrayed by the Russian soprano Ekaterina Siurina. Although she did not look very much like a bookish, lovelorn teenage girl in Act 1, her versatile voice gradually revealed everything in this deeply affectionate character. The celebrated letter aria was sung emotively with impeccable technique. The most intense line, “Kto ti, moi angel li khranitel?” (Who are you – my guardian angel?), was especially touching, an angelic sound as if from heaven. The transformation from a shy, self-doubting girl to a determined, unleashed young woman overnight was superbly performed both vocally and dramatically.

    • Ekaterina Siurina, como Tatiana, presentó una voz de timbre claro de lírico-ligera y una sólida técnica. [Translated] Ekaterina Siurina, as Tatiana, presented a clear-toned lyrical-light voice and solid technique.