EvanRogister
Contact
For availability and general enquiries:
Edward Pascall
Dominic Domingo
For contracts, logistics and press:
Ignatius Sokal
Representation
Worldwide general management with Askonas Holt
About Evan
Principal Conductor: Washington National Opera Principal Conductor: Kennedy Center Opera House Orchestra
Evan Rogister is the Principal Conductor of the Washington National Opera and the Kennedy Center Opera House Orchestra. With artistic endeavours ranging from Mozart with the Orchestra of the Age of Enlightenment to Wagner’s complete cycle, Der Ring des Nibelungen, and Terence Blanchard’s contemporary masterpiece, Fire Shut Up in My Bones, Evan Rogister—a dual citizen of the United States and Germany—is one of the most eclectic and versatile conductors on the international scene.
Evan returns to The Metropolitan Opera in the 2024/25 season to conduct Simon McBurney’s production of Mozart’s Die Zauberflöte. Additional highlights include a new production of Verdi’s Macbeth for Washington National Opera and concerts with the Opernhaus Zürich Orchestra. In the summer of 2024 Rogister debuts at the Festival d’Aix-en-Provence, conducting the 40th Anniversary concerts of the Mediterranean Youth Orchestra—both in Aix and on tour. During the summer of 2023, Evan made a critically acclaimed debut at the Glyndebourne Festival, leading the Orchestra of the Age of Enlightenment in Mozart’s Don Giovanni.
Equally at home on the concert stage as in the pit, recent symphonic projects include collaborations with the Swedish Radio Symphony, Bergen Philharmonic, l’Orchestre National du Capitole de Toulouse, Badische Staatskapelle, Royal Stockholm Philharmonic, Gothenburg Symphony, l’Orchestre Philharmonique du Luxembourg, Essen Philharmoniker, Mälmo Symphony, Milwaukee Symphony, Spoleto Festival Orchestra, North Carolina Symphony, and the Atlanta Symphony.
Representation
Worldwide general management with Askonas Holt
Season Highlights
Photos
Selected Repertoire
Alban Berg | Wozzeck • Lulu |
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Antonín Dvořák | Rusalka |
Arnold Schoenberg | Erwartung |
Béla Bartók | Bluebeard's Castle |
Benjamin Britten | Peter Grimes • Billy Budd |
Charles Gounod | Faust |
Claude Debussy | Pelléas et Mélisande |
Dmitri Shostakovich | Lady Macbeth of Mtsensk |
Engelbert Humperdinck | Hänsel und Gretel |
George Gershwin | Porgy and Bess |
Georges Bizet | Carmen |
Giacomo Puccini | Manon Lescaut • La Bohème |
Giuseppe Verdi | Aïda • Otello • Simon Boccanegra • Un Ballo in Maschera • Ernani • Macbeth • Rigoletto |
Johann Strauss Jr. | Die Fledermaus |
John Corigliano | The Ghost of Versailles |
Karol Szymanowski | King Roger |
Leoš Janáček | The Cunning Little Vixen • Katya Kabanova • Jenufa • The Makropolis Case • The House of the Dead |
Ludwig van Beethoven | Fidelio |
Modest Mussorgsky | Boris Godunov |
Pyotr Ilyich Tchaikovsky | Eugene Onegin • Queen of Spades |
Richard Strauss | Salome • Elektra • Ariadne auf Naxos • Die Frau Ohne Schatten • Der Rosenkavalier |
Richard Wagner | Rienzi • Der Fliegende Holländer • Tannhäuser • Lohengrin • Das Rheingold • Die Walküre • Siegfried • Götterdämmerung • Tristan und Isolde • Meistersinger • Parsifal |
Sergey Prokofiev | The Gambler |
Terence Blanchard | Fire Shut Up in My Bones |
Wolfgang Amadeus Mozart | Don Giovanni • Die Zauberflöte • Die Entführung aus dem Serail • Le Nozze di Figaro • Cosi Fan Tutte • La Clemenza di Tito • Idomeneo |
News
Press
At WNO’s electric ‘Elektra,’ the night is short and full of terrors
Washington National OperaSep 2022 - Oct 2022It’s for this reason that the other big star of the show was the Washington National Opera Orchestra under conductor Evan Rogister, who led a performance that managed to sound appropriately untethered and deceptively exacting. I tend to groan about the volume in this hall, but even at this reduced orchestration of “Elektra” (85 musicians as opposed to the 113 called for by Strauss), the sound was vibrant and rich. Rogister’s steering of the music’s violent weather had me loosening my tie, and his finely attuned management of its mess of motivic gestures and granular details was superb.
- The Washington Post
- 30 October 2022