GevorgHakobyan

/
Baritone
Scroll for more

Contact

Seb Mallet

Seb Mallet

Associate Artist Manager

Representation

Italian Management: Stage Door

About Gevorg

The 2024/25 season sees Gevorg sing Rangoni in Dutch National Opera's new production of Boris Godunov and return to Teatro dell'Opera di Roma for Scarpia in Tosca and Paolo in Simon Boccanegra. Future seasons see debuts at Opéra de Paris and Danish National Opera and returns to Dutch National Opera and Teatro Real Madrid.

Last season saw a US debut for Gevorg with Alfio/Tonio in Lyric Opera of Kansas City's double bill of Cavalleria Rusticana and Pagliacci. Other house debuts included Scarpia in Tosca at Deutsche Oper Berlin and Sydney Opera House and he returned to Arena di Verona to make his role debut as Michele in Il Tabarro and revisit the roles of Sharpless (Madama Butterfly) and Amonasro (Aida).

Gevorg has appeared at Wiener Staatsoper, Teatro Real Madrid, Liceu Barcelona, de Nationale Opera Amsterdam, Palau de les Arts Valencia, Teatro Carlo Felice Genoa, Bolshoi Theatre Moscow, Mariinsky Theatre, Mikhailovsky Theatre, Nationale Opera Amsterdam, Stuttgart Opera, Terme di Caracalla Roma, Teatro Communale di Bologna, Palau des les Arts Reina Sofia, Teatro Massimo di Palermo, Armenian National Academic Theatre of Opera and Ballet, Hong Kong Cultural Centre, Opera de Lille, Opera di Genova and Teatro Regio di Torino as well as the White Nights Festival St. Petersburg and Savonlinna Festival.

Gevorg is based in Yerevan, Armenia

Download programme biography   

Representation

Italian Management: Stage Door

Season Highlights

Nov 2024 - Dec 2024
Teatro dell'Opera di Roma
Simon Boccanegra (Paolo Albani) Michele Mariotti (conductor) Richard Jones (director) - new production
Jan 2025
Teatro dell'Opera di Roma
Tosca (Scarpia) Francesco Ivan Ciampa (conductor) Alessandro Talevi (director)
Jun 2025
Dutch National Opera
Boris Godunov (Rangoni) Vasily Petrenko (conductor) Kirill Serebrennikov (director) - new production

Selected Repertoire

BizetCarmen (Escamillo)
BorodinPrince Igor (title role)
GiordanoAndrea Chénier (Carlo Gérard)
LeoncavalloPagliacci (Tonio)
MascagniCavalleria Rusticana (Alfio)
PorrinoI Shardana (Norace)
PucciniLa Fanciulla del West (Jack Rance)   •   Gianni Schicchi (title role)   •   Madama Butterfly (Sharpless)   •   Il Tabarro (Michele)   •   Tosca (Scarpia)
R. StraussSalome (Jochanaan)
RachmaninoffAleko (title role)   •   Francesca da Rimini (Lanciotto Malatesta)
Rimsky-KorsakovThe Legend of the Invisible City of Kitezh and the Maiden Fevroniya (Fyodor Poyarok)   •   The Tsar’s Bride (Grigory Gryaznoy)
TchaikovskyCherevichki (Bes)   •   Eugene Onegin (title role)   •   Iolanta (Ibn-Hakia, Robert)   •   Mazeppa (title role)   •   The Queen of Spades (Count Tomsky)
VerdiAida (Amonasro)   •   Un ballo in maschera (Renato*)   •   I due Foscari (Francesco Foscari)   •   Macbeth (title role)   •   Nabucco (title role)   •   Otello (Iago)   •   Rigoletto (title role*)   •   Simon Boccanegra (title role, Paolo Albiani)   •   La Traviata (Giorgio Germont)

Press

  • Tosca

    Australian Opera
    Jul 2024
    • Gevorg Hakobyan as Scarpia dominated the stage with his presence. We could well believe Scarpia ruled Rome by fear, while Hakobyan conveyed a smooth charm complete with menace even in his casual questioning, as in Act two’s bedroom scene.

    • Hakobyan’s sadistic chief of police is typical of the oafish class that strays dangerously close to the halls of power, often hijacking ideological movements for their own political gain and treating those around them as mere playthings. We’ve all seen them, elevated from the underbelly of society to positions of power in return for dubious services rendered.