HankyeolYoon

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Conductor
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Contact

For availability and general enquiries:

Jack Haynes

Jack Haynes

Artist Manager
Jo Fry

Jo Fry

Associate Director

For contracts, logistics & press:

Maya Feldman

Maya Feldman

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

About Hankyeol

The 2024/25 season sees Korean conductor, Hankyeol Yoon make his debut with Symphonieorchester des Bayerischen Rundfunks, Münchner Philharmoniker, Orchestre Philharmonique de Luxembourg, Nürnberger Symphoniker and Los Angeles Philharmonic.

Winner of the Herbert von Karajan Young Conductors Award at the 2023 Salzburger Festspiele, Hankyeol was subsequently invited to make his festival debut in 2024 conducting ORF Radio-Symphonieorchester Wien. His success also resulted in several high-profile invitations in 2023/24 including from Orchestra del Maggio Musicale Fiorentino who immediately re-invited Hankyeol to return the same year for a staged production of Mendelssohn’s ‘A Midsummer Night’s Dream’.

Hankyeol continues to establish himself in his native Korea having given critically acclaimed performances with Seoul Philharmonic, Korean National Symphony and Hankyung arte Philharmonic, as well as with KBS Symphony for concerts Tokyo.

Other recent highlights include Mozarteumorchester Salzburg, Stavanger Symphony Orchestra, Bern Symphony Orchestra, Münchner Symphoniker, Gstaad Festival Orchestra, Kammerorchester Basel and the George Enescu International Festival.

Also a prize-winning composer, Hankyeol opened his Salzburg Festival debut premiering his own composition and in December 2021 his last work, Grande Hipab, was premiered by Ensemble Modern in Frankfurt.

Hankyeol is based in Munich

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Representation

Worldwide general management with Askonas Holt

Season Highlights

Jul 2024
Teatro del Maggio Musicale Fiorentino, Florence
Mendelssohn: A Midsummer Night's Dream Orchestra del Maggio Musicale Fiorentino
Aug 2024
Salzburg Festival
Hankyeol Yoon: Grium (world premiere) Bruch: Violin Concerto No. 1 in G minor, Op. 26 Tchaikovsky: Symphony No. 6 in B minor Op. 74 'Pathétique' Maria Dueñas (violin) ORF Vienna Radio Symphony Orchestra (debut)
Sep 2024
Herkulessaal Der Residenz, Munich
Bavarian Radio Symphony Orchestra Debut / ARD Competition Conducting: Oboe Final Cello Final Prize Winner's Concert

Photos

News

Press

  • ORF Vienna Symphony Radio Orchestra Debut

    Salzburg Festival
    Aug 2024
    • South Korean conductor and composer... programmed the world premiere of his “Gium (Longing),” as well as Bruch’s First Violin Concerto (with Maria Dueñas, another brilliant young artist) and Tchaikovsky’s “Pathétique” Symphony. “Grium” unfolds like a musical scrapbook of Yoon’s memories from Seoul and Europe, of his travels as he was educated and came of age. Its harmonic language may be generically modern, but the piece is skillfully crafted, with an intuitive sense for orchestral writing and subtle nods that avoided being cheaply overt. (The clearest reference, to the chime of Big Ben, got a chuckle of recognition that belied how ambivalently and intelligently it was being used.) A piece so personal could, like the Bruch and Tchaikovsky, easily sink into sentimentality; Yoon, though, kept it all moving with unwavering vitality.

    • In 'Grium' Hankyeol Yoon made the most of all the instrumental sounds and made them shine with effervescence - an intense stirring orchestral piece.

      • Salzburger Nachrichten
      • 12 August 2024
    • Dueñas gently allowed the prelude to blossom, which Hankyeol Yoon matched with accentuated drama in the full sound of the orchestra, before both gave in to the extended vocal lyricism of the Adagio. Yoon let the musicians play to their heart's content, starting with the opening bassoon solo and the waltz, which leads to absurdity with its weightless 5/4 time signature. Then, in the lament that ends everything, he allowed a correspondingly internalized calm to resonate, conveying a farewell. A performance worthy of Karajan!

      • drehpunktkultur.at
      • 11 August 2024
    • In Tchaikovsky's "Pathetique" the composers deepest despair and world-weariness, who died a few days after the premier, were palpable. All emotional climates were swept through, stirring large dynamic arcs of tension. Lyricism was savored and the music was played in a precise balanced manner.

      • Kurier
      • 11 August 2024