IestynDavies

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Countertenor
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Nicholas Moloney

Nicholas Moloney

Senior Artist Manager
Ivo Ivanov

Ivo Ivanov

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

About Iestyn

An esteemed interpreter of Handel, this season Iestyn sings Bertarido in Rodelinda on tour in the U.S.A. and Asia with Harry Bicket and The English Concert, Tolomeo in Giulio Cesare in his Paris Opera debut, Fileno in Clori, Tirsi e Fileno at Wigmore Hall, and the title role of Orlando with the Academy of Ancient Music and Laurence Cummings. Elsewhere he sings Ottone in Monteverdi's Poppea with The English Concert in Barcelona and Madrid, Oberon in Britten A Midsummer Night's Dream with Atlanta Opera and at Garsington Opera, and the Boy in George Benjamin's Written on Skin with the Finnish Radio Symphony Orchestra. Next summer he makes his Australian debut singing J.S. Bach and Arvo Pärt in an extensive solo tour with the Australian Chamber Orchestra.

Iestyn has appeared on Broadway in a revival of his West-End theatre project Farinelli and the King with Mark Rylance, which received an Olivier Award nomination.

A celebrated recitalist with repertoire ranging from Dowland to Clapton, he has twice been awarded the Gramophone Recital Award. In 2017 he won the Gramophone Baroque Vocal Award and was awarded an MBE by the Queen for his services to Music.

Iestyn is based in London

Download programme biography   

Representation

Worldwide general management with Askonas Holt

Season Highlights

Nov 2023 - Dec 2023
World tour
Handel Rodelinda (Bertarido) Harry Bicket (conductor) English Concert
Dec 2023 - Dec 2023
Palais Montcalm, Quebec
Bach Christmas Oratorio Bernard Labadie (conductor) Les Violons du Roy
Jan 2024 - Feb 2024
Palais Garnier, Paris
Handel Giulio Cesare (Tolomeo) Harry Bicket (conductor)

Selected Repertoire

AdèsThe Exterminating Angel (Francisco)   •   The Tempest (Trinculo)
BenjaminWritten on Skin (First Angel/Boy)
BrittenA Midsummer Night's Dream (Oberon)
GluckOrfeo ed Euridice (Orfeo)
HandelAgrippina (Ottone)   •   Ariodante (Polinesso)   •   Cesare (Cesare, Tolomeo)   •   Jephtha (Hamor)   •   L'incoronazione di Poppea (Ottone)   •   Partenope (Arsace)   •   Rinaldo (title role)   •   Rodelinda (Bertarido)   •   Saul (David)   •   Semele (Athamas)   •   Theodora (Didymus)
MonteverdiL'incoronazione di Poppea (Ottone)
MozartMitridate, re di Ponto (Farnace)
MuhlyMarnie (Terry Rutland)
VivaldiOrlando Furioso (Ruggiero)
A laboratory scene, with two performers and four projection screens

Projects

An Anatomy of Melancholy

Netia Jones directs a Barbican London production, blending John Dowland's poignant music with Robert Burton's 17th-century treatise The Anatomy of Melancholy. This intimate meditation on sorrow features Iestyn Davies's crystalline voice and lutenist Sergio Bucheli. The performance, inspired by Burton, Freud, and modern emotion experts, combines visuals with Dowland's music. Currently developing international tours for 2025/2026 and beyond.

Learn about this project
  • A laboratory scene, with two performers and four projection screens

    Projects

    An Anatomy of Melancholy

    Netia Jones directs a Barbican London production, blending John Dowland's poignant music with Robert Burton's 17th-century treatise The Anatomy of Melancholy. This intimate meditation on sorrow features Iestyn Davies's crystalline voice and lutenist Sergio Bucheli. The performance, inspired by Burton, Freud, and modern emotion experts, combines visuals with Dowland's music. Currently developing international tours for 2025/2026 and beyond.

    Learn about this project

News

Press

  • A Midsummer Night's Dream

    Garsington Opera
    Jun 2024
    • My opinion of the opera has been revised upwards by the magnificent performance now being presented at Garsington, in a production by Netia Jones, starring Iestyn Davies as Oberon and Lucy Crowe as Tytania. It runs until July 19 and if you are lucky you may be able to get tickets still. Davies has such a commanding stage presence that even those like me who struggle to enjoy the sound of the counter-tenor cannot but admire him. The entire cast display an enthusiasm and exuberance that it is hard to imagine could be surpassed.