JenniferFrance

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Soprano
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Nicholas Moloney

Nicholas Moloney

Senior Artist Manager
Hannah Bishay

Hannah Bishay

Associate Artist Manager

Representation

Worldwide general management with Askonas Holt

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About Jennifer

Winner of the 2018 Critics’ Circle Emerging Talent Award, British soprano Jennifer France was described in WhatsOnStage as the "living jewel in opera’s crown."

Recent highlights include Zerbinetta at the Bayerische Staatsoper Munich, two returns to the Royal Opera House for Iphis Jephtha conducted by Laurence Cummings and Despina Così fan tutte with Alexander Soddy and as Beatrice in the world premiere of Pascal Dusapin’s Il viaggio, Dante at the Aix-en-Provence Festival.

24/25 sees Jennifer make her Opéra National de Paris debut singing Beatrice in Dusapin’s Il viaggio, Dante conducted by Kent Nagano. Jennifer will also make a return to the London Philharmonic Orchestra singing Mahler’s Symphony No. 8 with Edward Gardner, join Jaime Martin and the Orquesta Nacionales de España for the Spanish premiere of Brett Dean’s In spe contra spe, and return to the London Sinfonietta singing James MacMillan’s Love Bade Me Welcome.

A prolific contemporary artist, she has sung Gerald Barry’s The Eternal Recurrence with the Britten Sinfonia, which was recorded for Signum, and in the world premiere of Brett Dean’s In This Brief Moment with the City of Birmingham Symphony Orchestra and Nick Collon. She made her BBC Proms debut in 2017 and Salzburg Festival debut in 2019 singing Pascal Dusapin’s Medeamaterial with the Akademie für Alte Musik Berlin. Last season, she made her debut at the Edinburgh International Festival with Hans Abrahamsen’s Let me tell you conducted by Ryan Wigglesworth and returned to the BBC Proms with the London Philharmonic Orchestra and Edward Gardner for Ligeti’s Requiem. Contemporary opera includes the title role in The Cunning Little Vixen for Opera Holland Park, Alice in Gerald Barry’s Alice’s Adventures Under Ground, First Niece Peter Grimes, and Lessons in Love and Violence for The Royal Opera House, La Princesse in Philip Glass’ Orphée for English National Opera, and Ophelia in Brett Dean’s Hamlet for Glyndebourne On Tour.

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Representation

Worldwide general management with Askonas Holt

Follow Jennifer

Season Highlights

Dec 2024
Kings Place Music Foundation
James Macmillan's Love Bade Me Welcome with the London Sifonietta
Jan 2025 - Jan 2025
Auditorio Nacional de Música de Madrid
Spanish premiere of Brett Dean's Ins spe contra spem with Jaime Martín and Orquesta y Coro Nacionales de España
Mar 2025 - Apr 2025
Opéra National de Paris | Palais Garnier
PASCAL DUSAPIN: Il Viaggio, Dante | Beatrice conducted by Kent Nagano, directed by Claus Guth

Selected Repertoire

BarryAlice's Adventures Under Ground (Alice)
BeethovenFidelio (Marzelline)
BelliniLa Sonnambula (Amina)   •   I Capuleti e i Montecchi (Giulietta)
BenjaminInto the Little Hill   •   Lessons in Love and Violence (Witness / Singer / Woman)
BernsteinCandide (Cunegonde)   •   West Side Story (Maria)
BrittenA Midsummer Night's Dream (Tytania)   •   Peter Grimes (1st Niece)
DeanHamlet (Ophelia)
Debussy Pelléas et Mélisande (Mélisandre)
DelibesLakmé (Lakmé)
DonizettiLucia di Lammermoor (Lucia)   •   L'elisir d'amore (Adina)
DoveFlight (The Controller)
DusapinPassion (Her)   •   Il Viaggio Dante (Beatrice)   •   Medeamaterial
GlassOrphée (La Princesse Orphée)
GounodRoméo et Juliette (Juliette)
HammersteinCarousel (Julie / Carrie)
HandelSemele (Semele)   •   Jephtha (Iphis)   •   Ariodante (Dalinda)   •   Alcina (Alcina)   •   Agrippina (Poppea)
HeggieIt's A Wonderful Life (Mary Hatch Bailey)
HumperdinckHänsel und Gretel (Sandman / Dew Fairy)
JanáčekThe Cunning Little Vixen (Sharp Ears the Vixen)
MacRaeAnthropocene (Ice)
MozartCosì fan tutte (Despina)   •   Le nozze di Figaro (Susanna)   •   Die Entführung aus dem Serail (Blonde / Konstanze)   •   Don Giovanni (Zerlina)   •   Mitridate, re di Ponto (Ismene)   •   Idomeneo (Ilia)   •   La clemenza di Tito (Servilia)   •   Die Zauberflöte (Pamina)
NormanA Trip to the Moon (Eoa)
OffenbachFantasio (Princess Elsbeth)   •   Orphée aux enfers (Eurydice)
PucciniGianni Schicchi (Lauretta)
RavelL'enfant et les sortilèges (Le feuf / La Princesse / Le Rossignol)
RossiniLe Comte Ory (Countess Adèle)   •   Il barbiere di Siviglia (Rosina)
Strauss, J. Die Fledermaus (Adele)
Strauss, R. Ariadne auf Naxos (Zerbinetta)   •   Arabella (Fiakermilli / Zdenka)
SullivanThe Mikado (Yum-Yum)   •   The Pirates of Penzance (Mabel)   •   Ruddigore (Rose Maybud)
TippettThe Midsummer Marriage (Bella)
VerdiUn ballo in maschera (Oscar)
WeinbergDie Passagierin (Yvette)

News

Press

  • Così fan tutte (Despina)

    Royal Opera House
    Jun 2024
    • As the two schemers, Gerald Finley and Jennifer France both sang like a dream... France’s crystalline soprano sparkled as Despina

    • Jennifer France’s Despina was full of fun, with great comedic timing and clowning as the disguised doctor and notary, and was highly nimble vocally, with some cracking top notes too.

    • The real subversive centre of the piece is the maid Despina sung by British soprano Jennifer France as a red-headed cocktail-shaking, bar-strutting whirlwind. Despina pushes the two sisters over the cliff edge of fidelity in her aria: “Una donna a quindici anni”—”A fifteen-year-old woman” making the most of her translucent vocal tone and powerful coloratura edge. France has to double up as an ancient doctor and notary utilising her fine comic acting skills.

    • Jennifer France’s Despina is an onstage dynamo, revelling in silly voices for her absurd turns as a doctor and notary.

    • an excellent Despina in the form of soprano Jennifer France, no doubt made for the part, with all the panache expected of Da Ponte’s sassy maid. Here, she mixed cocktails and danced on the counter top of a bar packed with men (instead of the usual chocolate drink she prepares for her mistresses) from where she dispatched a compelling “In uomini, in soldati”, one of several numbers she pulled off with energy and assuredness.

    • Jennifer France also needs little introduction; she is a singer of boundless energy, great stage presence and unerring, innate musicality. ... Her voice is perfect for the Despina, light yet not insubstantial, every word clear, her ‘’In uomini! In soldati’ utter delight, topped only by her ‘Una donna a quindici anni’. And how she loved the voices of the Doctor and Notary. There seems no reason to doubt France’s career will continue its upward trajectory.