KarinaCanellakis
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Contact
For availability and general enquiries:
![Celia Willis](https://cdn.sanity.io/images/ssnxcmsx/prod/5053c6b64a524a25e55057cfad2de4d5624671ea-1280x854.jpg?w=3840&q=75)
Celia Willis
For contracts, logistics and press:
![Fiona Russell](https://cdn.sanity.io/images/ssnxcmsx/prod/95edd4f169d16c6a9c1864c68c6470d6fd221016-1280x853.jpg?w=3840&q=75)
Fiona Russell
Representation
European Management with Askonas Holt
General Management with Opus 3 Artists USA, Jonathan Brill
About Karina
Chief Conductor: Netherlands Radio Philharmonic Principal Guest Conductor: London Philharmonic Orchestra
Karina’s 2023/24 guest engagements include her debut with the New York Philharmonic as well as return engagements with the Boston Symphony and The Cleveland Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Rundfunk-Sinfonieorchester Berlin and NDR Elbphilharmonie.
Throughout the 23/24 season Karina will be the featured Artist-in-Focus at Vienna’s Musikverein, conducting four different orchestras; the Wiener Symphoniker, ORF Radio-Symphonieorchester Wien, London Philharmonic and the Netherlands Radio Philharmonic.
Her engagements as Chief Conductor of the Netherlands Radio Philharmonic include concert performances of Siegfried and The Makropoulous Case at the Concertgebouw as well as Mahler's Symphony No.1, Rachmaninov's The Bells, Shostakovich's Symphony No.8 and several premieres.
In her role as Principal Guest Conductor of the London Philharmonic Karina will tour to Athens, Munich and Vienna in addition to her London appearances.
Her first recording with the Netherlands Radio Philharmonic for Pentatone of Bartók’s Four Pieces and Concerto for Orchestra has been nominated for a Grammy Award.
Since winning the Sir Georg Solti Conducting Award in 2016 Karina has become a guest conductor with leading orchestras around the world, including Boston, Chicago, Cleveland, Philadelphia, LA and San Francisco as well as the Bavarian Radio, Orchestre de Paris, London Symphony, Vienna Symphony, Munich Philharmonic and Gewandhausorchester Leipzig. She recently finished a four-year appointment as Principal Guest Conductor of the Rundfunk-Sinfonieorchester Berlin.
She was the first woman to conduct the First Night of the BBC Proms in London in 2019, with the BBC Symphony Orchestra. She was also the first woman to ever conduct the Nobel Prize Concert with the Royal Stockholm Philharmonic in 2018.
Representation
European Management with Askonas Holt
General Management with Opus 3 Artists USA, Jonathan Brill
Season Highlights
Video
Karina Canellakis and the Netherlands Radio Philharmonic - Bartok Concerto for Orchestra
Karina Canellakis introduces her recording of Bartok 4 Orchestral Pieces and Concerto for Orchestra Credit: Pentatone
PlayingJanacek Glagolitic Mass
Karina Canellakis conducts the BBC Symphony Orchestra and Chorus in Janacek's Glagolitic Mass at the First Night of the Proms 2019 Credit: BBC Proms
PlayingSibelius Symphony No. 5
Karina Canellakis conducts the final movement of Sibelius Symphony No. 5 Credit: London Philharmonic Orchestra
PlayingBeethoven Egmont Overture
Karina Canellakis conducts the Netherlands Radio Philharmonic Credit: Avrotros
Playing
News
Press
New York Philharmonic debut
David Geffen Hall, New YorkApr 2024With the Philharmonic, Canellakis made an exciting and memorable debut, in a program that leaned heavily toward meditative, dreamy reflection. She began with an incisive reading of Webern’s Six Pieces for Orchestra, keeping her conducting elegantly restrained, even economized — gestures that befitted this sharply angled, brief set. Where the Webern was spare, the next piece, Strauss’s mystic “Death and Transfiguration,” was sumptuous, with Canellakis and the orchestra rendering phrases in richly hued colors and gentle curves. She harnessed the ensemble’s full power, riding over the heaving waves of sound with a muscular confidence.
- New York Times
- 05 April 2024