KarinaCanellakis

/
Conductor
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Contact

For availability and general enquiries:

For contracts, logistics and press:

Fiona Russell

Fiona Russell

Senior Assistant Manager

Representation

European Management with Askonas Holt
General Management with Opus 3 Artists USA, Jonathan Brill

About Karina

Chief Conductor: Netherlands Radio Philharmonic Principal Guest Conductor: London Philharmonic Orchestra

Karina’s 2024-25 guest engagements include debuts with the Royal Concertgebouw Orchestra as well as Staatskapelle Dresden (in their televised New Year’s Eve concert), along with return visits to the Munich Philharmonic, Bavarian Radio Symphony Orchestra, Orchestre de Paris, New York Philharmonic, Chicago Symphony and Washington DC’s National Symphony Orchestra.

Karina returns to the Théâtre des Champs-Elysées in Paris to conduct Poulenc’s Dialogues des Carmélites with Les Siècles in the pit.

Her engagements as Chief Conductor of the Netherlands Radio Philharmonic include Mahler Symphony no. 3, Brahms Ein Deutsches Requiem and Elgar The Dream of Gerontius.

Her first recording with the Netherlands Radio Philharmonic for Pentatone of Bartók’s Four Pieces and Concerto for Orchestra was nominated for a Grammy Award.

Since winning the Sir Georg Solti Conducting Award in 2016 Karina has become a guest conductor with leading orchestras around the world, including Boston, Chicago, Cleveland, Philadelphia, LA and San Francisco as well as the Bavarian Radio, Orchestre de Paris, London Symphony, Vienna Symphony, Munich Philharmonic and Gewandhausorchester Leipzig. She recently finished a four-year appointment as Principal Guest Conductor of the Rundfunk-Sinfonieorchester Berlin and was Artist-in-Residence at the Musikverein Vienna in the 23-24 season.

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Representation

European Management with Askonas Holt
General Management with Opus 3 Artists USA, Jonathan Brill

Season Highlights

Sep 2024
Isarphilharmonie Munchen
Beethoven: Egmont Op.84 Overture Shostakovich: Cello Concerto No. 1 in E flat Op.107 Beethoven: Symphony No. 5 in Cm Op.67 Pablo Ferrandez (cello) Munich Philharmonic
Oct 2024
Concertgebouw Amsterdam
Sibelius: Violin Concerto Wagner: Vorspiel und Liebestod; Tristan und Isolde Scriabin: Symphony No. 4 Le Poeme de l'Extase Augustin Hadelich (violin) Het Concertgebouworkest
Oct 2024
Royal Festival Hall London
Schumann: Manfred Overture Schumann: Cello Concerto Bruckner: Symphony no. 4 Truls Mørk (cello) London Philharmonic Orchestra
Karina Canellakis, a white woman with long blonde loose hair wearing a black jacket
Karina Canellakis, a white woman with blonde hair wearing a black suit, in front of a orchestra with her arms out stretched
Karina Canellakis, a white woman with long blonde hair wearing a black suit looking directly at the camera
Karina Canellakis, a white woman with long blonde pinned up, looking over her shoulder at the camera
Karina Canellakis, white woman with long blonde hair pinned up, wearing black, looking down and smiling
Karina Canellakis, a white woman with blonde hair wearing a black jacket looking straight atht ecamera
Karina Canellakis, a white woman with blonde hair wearing a black jacket looking over her shoulder at the camera

News

Press

  • New York Philharmonic debut

    David Geffen Hall, New York
    Apr 2024
    • With the Philharmonic, Canellakis made an exciting and memorable debut, in a program that leaned heavily toward meditative, dreamy reflection. She began with an incisive reading of Webern’s Six Pieces for Orchestra, keeping her conducting elegantly restrained, even economized — gestures that befitted this sharply angled, brief set. Where the Webern was spare, the next piece, Strauss’s mystic “Death and Transfiguration,” was sumptuous, with Canellakis and the orchestra rendering phrases in richly hued colors and gentle curves. She harnessed the ensemble’s full power, riding over the heaving waves of sound with a muscular confidence.