KarinaCanellakis

/
Conductor
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Contact

For availability and general enquiries:

For contracts, logistics and press:

Fiona Russell

Fiona Russell

Senior Assistant Manager

Representation

European Management with Askonas Holt
General Management with Opus 3 Artists USA, Jonathan Brill

About Karina

Chief Conductor: Netherlands Radio Philharmonic Principal Guest Conductor: London Philharmonic Orchestra

Karina’s 2023/24 guest engagements include her debut with the New York Philharmonic as well as return engagements with the Boston Symphony and The Cleveland Orchestra, San Francisco Symphony, Los Angeles Philharmonic, Rundfunk-Sinfonieorchester Berlin and NDR Elbphilharmonie.

Throughout the 23/24 season Karina will be the featured Artist-in-Focus at Vienna’s Musikverein, conducting four different orchestras; the Wiener Symphoniker, ORF Radio-Symphonieorchester Wien, London Philharmonic and the Netherlands Radio Philharmonic.

Her engagements as Chief Conductor of the Netherlands Radio Philharmonic include concert performances of Siegfried and The Makropoulous Case at the Concertgebouw as well as Mahler's Symphony No.1, Rachmaninov's The Bells, Shostakovich's Symphony No.8 and several premieres.

In her role as Principal Guest Conductor of the London Philharmonic Karina will tour to Athens, Munich and Vienna in addition to her London appearances.

Her first recording with the Netherlands Radio Philharmonic for Pentatone of Bartók’s Four Pieces and Concerto for Orchestra has been nominated for a Grammy Award.

Since winning the Sir Georg Solti Conducting Award in 2016 Karina has become a guest conductor with leading orchestras around the world, including Boston, Chicago, Cleveland, Philadelphia, LA and San Francisco as well as the Bavarian Radio, Orchestre de Paris, London Symphony, Vienna Symphony, Munich Philharmonic and Gewandhausorchester Leipzig. She recently finished a four-year appointment as Principal Guest Conductor of the Rundfunk-Sinfonieorchester Berlin.

She was the first woman to conduct the First Night of the BBC Proms in London in 2019, with the BBC Symphony Orchestra. She was also the first woman to ever conduct the Nobel Prize Concert with the Royal Stockholm Philharmonic in 2018.

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Representation

European Management with Askonas Holt
General Management with Opus 3 Artists USA, Jonathan Brill

Season Highlights

Oct 2023
Musikverein Wien
Opening of season residency Bartok Four Pieces for Orchestra Dvorak The Wild Dove Janacek Glagolitic Mass ORF Radio Symphonieorchester Wien
Nov 2023
Concertgebouw Amsterdam
Wagner Siegfried Netherlands Radio Philharmonic Orchestra
Dec 2023
Konzerthaus Berlin
Beethoven Symphony No. 9 Rundfunk-Sinfonieorchester Berlin Louise Alder (soprano) Sophie Harmsen (mezzo) Andrew Staples (tenor) Michale Nagy (bass) Rundfunkchor Berlin
Karina Canellakis, a white woman with long blonde loose hair wearing a black jacket
Karina Canellakis, a white woman with blonde hair wearing a black suit, in front of a orchestra with her arms out stretched
Karina Canellakis, a white woman with long blonde hair wearing a black suit looking directly at the camera
Karina Canellakis, a white woman with long blonde pinned up, looking over her shoulder at the camera
Karina Canellakis, white woman with long blonde hair pinned up, wearing black, looking down and smiling
Karina Canellakis, a white woman with blonde hair wearing a black jacket looking straight atht ecamera
Karina Canellakis, a white woman with blonde hair wearing a black jacket looking over her shoulder at the camera

News

Press

  • New York Philharmonic debut

    David Geffen Hall, New York
    Apr 2024
    • With the Philharmonic, Canellakis made an exciting and memorable debut, in a program that leaned heavily toward meditative, dreamy reflection. She began with an incisive reading of Webern’s Six Pieces for Orchestra, keeping her conducting elegantly restrained, even economized — gestures that befitted this sharply angled, brief set. Where the Webern was spare, the next piece, Strauss’s mystic “Death and Transfiguration,” was sumptuous, with Canellakis and the orchestra rendering phrases in richly hued colors and gentle curves. She harnessed the ensemble’s full power, riding over the heaving waves of sound with a muscular confidence.