KristianBezuidenhout
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Representation
About Kristian
Artistic Director: Freiburger Barockorchester Principal Guest Director: English Concert
Kristian Bezuidenhout is one of today’s most notable and exciting keyboard artists, equally at home on the fortepiano, harpsichord, and modern piano.
An Artistic Director of Freiburger Barockorchester and Principal Guest Director with English Concert, he is also a regular guest soloist with Les Arts Florissants, Orchestra of the Age of Enlightenment, Koninklijk Concertgebouworkest, Chicago Symphony Orchestra and Leipzig Gewandhausorchester; and, for play-direct, Orchestra of the Eighteenth Century, Tafelmusik, Juilliard 415, Kammerakademie Potsdam and Dunedin Consort.
He performs with celebrated artists including John Eliot Gardiner, Philippe Herreweghe, Frans Brüggen, Trevor Pinnock, Giovanni Antonini, Jean-Guihen Queyras, Isabelle Faust, Alina Ibragimova, Carolyn Sampson, Anne Sofie von Otter, Mark Padmore & Matthias Goerne.
The 2023/24 season sees Kristian perform with Orchestre National de Belgique, La Scintilla, Tafelmusik Baroque, Camerata Salzburg and Australian Chamber Orchestra. He gives recitals with Isabelle Faust and Kristin von der Goltz, Jean-Guihen Queyras, Antoine Tamestit, Rachel Podger, Amandine Beyer, Marco Ceccato and Chiaroscuro Quartet
His award-winning discography on Harmonia Mundi includes the complete solo keyboard music of Mozart, Winterreisse with Mark Padmore, Bach sonatas for violin and harpsichord with Isabelle Faust, Haydn piano sonatas and complete Beethoven Concerti with Freiburger Barokorchester.
Representation
Season Highlights
Video
Kristian Bezuidenhout and Alina Ibragimova plays Beethoven’s Violin Sonata No. 5 in F Op.24, Spring
A clip of Alina Ibragimova playing Beethoven’s Violin Sonata No. 5 in F Op.24, Spring, with Kristian Bezuidenhout. This performance was filmed at Wigmore Hall in June 2020. Credit: Wigmore Hall
PlayingKristian Bezuidenhout, Principal Guest Director with the English Concert
Kristian Bezuidenhout discusses his projects with the English Concert, in his first season as their Principal Guest Director. Credit: English Concert
PlayingKristian Bezuidenhout, Royal Concertgebouw Orchestra, Beethoven Piano Concerto No. 2
Kristian Bezuidenhout with the Royal Concertgebouw Orchestra, conducted by Sir John Eliot Gardiner performing 1st movt of Beethoven Piano Concerto No. 2 (extract). Video courtesy of the Royal Concertgebouw Orchestra. Watch the complete performance free of charge at www.concertgebouworkest.nl/video Credit: Royal Concertgebouw Orchestra
PlayingKristian Bezuidenhout Mozart from Sonata in C – Andante (KWV 545)
Credit: vrije geluiden
Playing
Photos
News
Press
Beethoven's Piano Concerto No. 5 in E-flat major, Op. 73 'Emperor' with Australian Chamber Orchestra
Australian TourMar 2024 - Mar 2024Bezuidenhout makes the instrument sing. In the concerto’s magisterial opening, he answered the orchestra’s heroic chords with arpeggios that glistened at the top, creating vivid excitement when this passage tumultuously returns at the climax. At the appearance of the hushed second theme in Bminor, Bezuidenhout created a pearly tone that glistened delicately against the plucked ACO strings. ...Bezuidenhout articulated phrases of poetic lyricism. In the finale, Bezuidenhout and the ACO maintained excitement through their focus, rhythmic tautness and musical intensity.
- Peter McCallum, Sydney Morning Herald
- 17 March 2024
On Tuesday it was the turn of one of the world’s leading fortepiano virtuosos, Kristian Bezuidenhout, to dazzle concertgoers with an exhilarating performance of Beethoven’s Emperor Concerto with the Australian Chamber Orchestra.
- Steve Moffatt, Daily Telegraph
- 20 March 2024
Asuperbly curated programme culminating in one of the most sublime achievements of the human imagination – Beethoven’s fifth and final piano concerto – brought the composer’s sound world to glorious life at the Melbourne Recital Centre on Saturday.
- Barney Zwartz, The Age, Melbourne
- 16 March 2024
Bold chords triggered a flurry across the keyboard as the Emperor Piano Concerto rang out on Wednesday at Perth Concert Hall, where Kristian Bezuidenhout and Australian Chamber Orchestra evoked the sound and soul of Beethoven. Bezuidenhout seemed more immersed than any podium conductor, leaning into sustained passages at the keyboard but always on the qui vive for interaction with the orchestra
- David Cusworth, The West Australian
- 14 March 2024