RosaFeola
Contact
For availability and general enquiries:
Fabiana Dalpiaz
For contracts, logistics and press
Kate Robson
Representation
About Rosa
Rosa Feola came to international attention after winning multiple awards including Second Prize, The Audience Prize and the Zarzuela Prize at the Plácido Domingo World Opera Competition (2010). This year Rosa was awarded the Premio Speciale of the Spoleto Festival dei Due Mondi.
Operatic roles include Corinna (Il Viaggio a Reims), Adina (L’elisir d’amore), Gilda (Rigoletto), Norina (Don Pasquale), Susanna (Le nozze di Figaro), Amina (La Sonnambula) to name just a few, performing at houses including Teatro alla Scala, The Metropolitan Opera New York, Teatro dell’Opera in Rome, Opernhaus Zürich, Bayerische Staatsoper, Ravenna Festival, Lyric Opera of Chicago, Teatro Regio Torino, Salzburg Festival and the Deutsche Oper Berlin.
Recent career highlights include a number of debuts, namely the Royal Opera House, London in an Oliver Mears production of Rigoletto and Liu in Turandot at the Opernhaus Zurich. She also returned to The Metropolitan Opera for performances of Rigoletto and Olga in Fedora.
Upcoming engagements for the 2023/24 season include Washington National Opera for Romeo and Juliet, Teatro di San Carlo for Liu in a new production of Turandot, Wiener Staatsoper for Don Pasquale, Opera Royal de Wallonie-Liège for Capuleti e Montecchi.
Representation
Season Highlights
Video
Rosa Feola: Turandot - 'Tu che di gel sei cinta'
Performed as part of 'La Grande Opera Italiana Patrimonio dell'Umanità' at Arena di Verona Credit: RAI
PlayingRosa Feola: Turandot: "Signore, ascolta!"
Rosa performs as Liu in Teatro di San Carlo's production of Turandot. Credit: Teatro di San Carlo
PlayingRosa Feola: Fedora: “Il Parigino è come il vino”
Rosa Feola sings Olga’s Act II aria in the final dress rehearsal. Production: David McVicar. Conductor: Marco Armiliato. 2022–23 season. Credit: Metropolitan Opera
PlayingRosa Feola: Rigoletto: “Tutte le feste al tempio”
Rosa Feola, as Gilda, sings an excerpt from Act II in the final dress rehearsal. Production: Bartlett Sher. Conductor: Speranza Scappucci. 2022–23 season. Videography by Neville Braithwaite. Credit: Metropolitan Opera
PlayingRosa Feola: "Se amor ti allena" – Fedora (Metropolitan Opera)
Rosa Feola performs "Se amor ti allena" in the role of Olga with the Metropolitan Opera (January 2023) Credit: Metropolitan Opera
PlayingRosa Feola: Rigoletto: “Caro nome"
Rosa Feola sings Gilda’s Act I aria in the New Year’s Eve gala premiere of Bartlett Sher’s new production. Conductor: Daniele Rustioni. 2021–22 season. Videography by Pete Scalzitti. Credit: Metropolitan Opera
Playing
Selected Repertoire
Bellini | I Capuleti e i Montecchi (Giulietta) • I Puritani (Elvira) • La Sonnambula (Amina) |
---|---|
Bizet | Les Pecheurs de Perles (Leila) • Carmen (Micaela) |
Brahms | Requiem |
Donizetti | Don Pasquale (Norina) • La campanello (Serafina) • L’elisir d’amore (Adina) • Linda di Chamounix • Maria Stuarda |
Gluck | Orfeo et Euridice (Euridice) |
Gounod | Romeo et Juliette (Juliette) |
Mercadante | I due Figaro (Inès) |
Monteverdi | Il Vespro della Beata Vergine |
Mozart | La Clemenza di Tito (Servilia) • Idomeneo (Ilia) • Le Nozze di Figaro (Susanna) • Don Giovanni (Donna Anna) • La Finta Giardiniera (Sandrina) |
Mozart | C Minor Mass • Requiem • Exultate Jubilate • Vespere solennes de Confessore |
Offenbach | Tales of Hoffman (Antonia) |
Puccini | Gianni Schicchi • La Bohème (Musetta) • Turandot (Liu) |
Rossini | Viaggio a Reims (Corinna) • Il Turco in Italia (Fiorilla) • La Scala di Seta |
Verdi | Rigoletto (Gilda) • Falstaff (Alice) • La traviata |
News
Press
Roméo et Juliette (Gounod)
Washington National OperaNov 2023She displayed extraordinary scope, with her soprano plush and limpid across the dynamic range and from high to low. She transformed from a bratty coquette, with outstanding high Cs and D in the Act I Ariette (“Je veux vivre”), into a tragic soliloquist in “Dieu! quel frisson” in Act IV. Her radiant pianissimi impressed as much as her bolder, louder exploits.
- Classical Review
- 05 November 2023
Rosa Feola, hailed last year for her Gilda at the Met, brought a level of vocal refinement and elegance to Juliet that substantially elevated the night’s proceedings. Her precise, iridescent soprano soared in Act I’s “Je Veux Vivre,” Feola handling Juliet’s coloratura passages with easy confidence and capping the aria with a blazing and generous final high note. Delicate dynamic effects and vivid attention to the French contributed to a captivating vocal performance throughout.
- Alex Baker, Parterre Box
- 07 November 2023