SolomanHoward
Contact
For availability and general enquiries:
Dominic Domingo
Joel Thomas
Mathieu Levan
Representation
Worldwide general management with Askonas Holt
About Soloman
Winner of the 2021 Washington Performing Arts’ Ambassador of the Arts Award and the Kennedy Center’s 2019 Marian Anderson Vocal Award, Soloman Howard garners high praise from the press for his vivid performances on the great opera and concert stages of the world. Soloman Howard’s voice is described as “sonorous” by The New York Times, “superhuman” by The Denver Post, and “a triumph” by The Guardian.
Soloman’s 2024-25 season includes the roles of Hunding in Wagner’s Die Walküre with both the Royal Opera House and the Stanta Fe Opera, Sparafucile in Verdi’s Rigoletto with both the Metropolitan Opera and the Chicago Lyric Opera, Sarastro in Mozart’s Die Zauberflöte with the Metropolitan Opera, Colline in Puccini’s La bohème with the Santa Fe Opera, and Banquo in Verdi’s Macbeth with the Washington National Opera. In concerts, he will perform a Mozart Requiem at the Gran Teatre del Liceu as well as Tippett’s A Child of Our Time and Beethoven Symphony No. 9 as a soloist with the London Symphony Orchestra and Sir Antonio Pappano.
Last season Soloman performed the roles of Fafner in Barry Kosky’s new production of Das Rheingold at The Royal Opera House, returned to The Metropolitan Opera for performances of Timur in Turandot, and role debuts in La Forza del Destino as Il Marchese di Calatrava and Il Padre Guardiano. Soloman also made his house debut at Staatsoper Hamburg in Rigoletto as Sparafucile and performed the role of Hunding in the Rotterdam Philharmonic Orchestra’s tour of Die Walküre, conducted by Yannick Nézet-Séguin. To conclude the season, Soloman returned to Santa Fe Opera to perform Il Commendatore in Don Giovanni and sang a Verdi Requiem at the Royal Albert Hall for the BBC Proms.
Previous highlights include Ramfis in Aida at the Royal Opera House, Le Grand Inquisiteur in Don Carlos at the Chicago Lyric Opera, Sarastro in The Magic Flute at The Metropolitan Opera, Fafner in Das Rheingold at The Dallas Opera, the title role in Approaching Ali with Opera Las Vegas. Wurm in Luisa Miller with the Chicago Lyric Opera, Jacopo Fiesco in a new production of Simon Boccanegra at the Opéra national de Bordeaux, Sarastro in The Magic Flute at The Metropolitan Opera, Timur in Turandot at the San Francisco Opera, Grand Inquisitor in Don Carlo at the Los Angeles Opera, Il Re in Aida at the Teatro Real, and performances as Commendatore in Don Giovanni and Colline in La bohème Santa Fe Opera. He also achieved great success with the roles of Somnus and Cadmus during an international tour of Semele with Harry Bicket leading The English Concert.
For the Washington National Opera, Soloman Howard has bowed as Fafner in Der Ring des Nibelungen directed by Artistic Director Francesca Zambello and conducted by Philippe Auguin, as well as in leading roles in The Magic Flute, Show Boat, Approaching Ali, Don Giovanni, and Nabucco. He was heralded for the roles of Frederick Douglass and Martin Luther King, Jr. in the world premiere of the revised edition of Appomattox composed by Philip Glass in a production by Tazwell Thompson and in the title role in The Lion, the Unicorn, and Me written by Jeanine Tesori and J.D. McClatchy.
On the concert stage, he has given performances of Beethoven’s Ninth Symphony with Music Director Gustavo Dudamel and the Los Angeles Philharmonic on a European tour and with Christian Arming and the Vienna Chamber Orchestra on tour in Asia. He has joined Harry Christophers and the Handel & Haydn Society for Mozart’s Requiem, Kent Tritle and the Oratorio Society of New York in performances of Mendelssohn’s Die erste Walpurgisnacht at Carnegie Hall, and with Christoph Eschenbach and the National Symphony Orchestra in a concert presentation of Strauss’ Der Rosenkavalier.
Washington Performing Arts’ Ambassador of the Arts Award was created in 2013, annually recognizing extraordinary achievement, service, and advocacy in the performing arts by an individual. Winner of the 2021 Award, Soloman Howard has been a voice not only for artistic excellence but for inclusivity, working to share the arts with ever-larger and more widespread audiences from all walks of life. Past recipients of the Ambassador of the Arts Award include Jessye Norman, Leon Fleisher, Justice Ruth Bader Ginsburg, Denyce Graves, and Lonnie G. Bunch III.
The Anti-Defamation League presented Soloman Howard with their Making a Difference Award in the summer of 2016 for raising awareness of voting rights though his performances of Appomattox at the Kennedy Center; and for bringing opera into the larger community. A graduate of Washington National Opera’s Domingo-Cafritz Young Artist Program, Soloman Howard is a proud alum of the Manhattan School of Music and of Morgan State University.
Representation
Worldwide general management with Askonas Holt
Season Highlights
Photos
Selected Repertoire
Beethoven | Fidelio (Don Fernando) • Symphony 9 (Bass) |
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Glass | Appomattox (Frederick Douglass) |
Gounod | Roméo et Juliette (Le Duc) |
Händel | Semele (Cadmus) |
Huang | An American Soldier (Manny Davis) |
Kern | Show Boat (Joe) |
Mozart | Don Giovanni (Il Commendatore) • Die Zauberflöte (Sarastro) |
Puccini | La Bohème (Colline) • Madama Butterfly (Lo zio Bonzo) • Tosca (Cesare Angelotti) • Turandot (Timur) |
Sparr | Approaching Ali (Muhammad Ali) |
Tchaikovsky | Eugene Onegin (Knyaz Gremin) |
Tesori | The Lion, the Unicorn, and Me (The Lion) |
Verdi | Aida (Il Re d'Egitto and Ramfis) • Don Carlo (Un Frate) • I masnadieri (Moser) • La forza del destino (Il Marchese di Calatrava) • La traviata ( Il dottor Grenvil) • Luisa Miller (Wurm) • Macbeth (Banco) • Rigoletto (Sparafucile) |
Wagner | Siegfried (Fafner) • Das Rheingold (Fafner) • Die Walküre (Hunding) |
News
Press
Verdi Aida
The Royal Opera HouseSep 2022“Another exciting house debut comes from the American bass Soloman Howard as the High Priest Ramfis, transformed here into a high-ranking army officer. He has a huge stage presence, with a vast voice to match; commanding, effortless, astonishing, even terrifying.”
- Bachtrack, Stephan Pritchard
- 26 November 2022