ThomasSøndergård

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Conductor
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© Martin Bubandt
© Martin Bubandt

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About Thomas

Music Director: Minnesota Orchestra Music Director: Royal Scottish National Orchestra

The 2023/24 season sees Danish conductor Thomas Søndergård start his tenure as Music Director of the Minnesota Orchestra. In addition, Thomas continues as Music Director of the Royal Scottish National Orchestra, following six seasons as Principal Guest Conductor. Between 2012 and 2018, he served as Principal Conductor of BBC National Orchestra of Wales (BBC NOW), after stepping down as Principal Conductor and Musical Advisor of the Norwegian Radio Orchestra.

Thomas opened his first season as Music Director of the Minnesota Orchestra with two weeks of concerts featuring music by Mozart, Strauss, Auerbach, Debussy, Barber and Ravel, and will lead the orchestra in their new year concerts. With the RSNO this season, in addition to their subscription series, Thomas will lead the orchestra’s residency at the Grosses Festspielhaus in Salzburg, joined by Lise de la Salle, as well as an extensive European tour with Ray Chen. Also this season Thomas makes his return to the London Symphony Orchestra as well as his debut with the New York Philharmonic where he will perform the US premiere of Olga Neuwirth’s Keyframes for a Hippogriff. In November 2023 he made his debut with the Tonhalle-Orchester Zürich. Thomas also makes regular guest appearances throughout Scandinavia this season, debuting with Iceland Symphony and the Bergen International Festival, where he leads a full staging of Ibsen’s Peer Gynt to Grieg’s complete incidental music. Return visits include Bergen Philharmonic, a joint collaboration with Aalborg and Aarhus Symfoniorkesters, and the Danish National Symphony Orchestra, celebrating his receipt of the Carl Nielsen and Anne Marie Carl-Nielsen Foundation Award for his outstanding contribution to Danish musical life.

He has appeared with many notable orchestras in leading European centres, such as Berlin (including Berliner Philharmoniker, Rundfunk-Sinfonieorchester Berlin, Mahler Chamber Orchestra, Konzerthausorchester Berlin), Munich (Symphonieorchester des Bayerischen Rundfunks), Leipzig (Gewandhausorchester), Paris (Orchestre National de France), London (London Philharmonic, BBC Symphony, London Symphony and Philharmonia orchestras), Amsterdam and Rotterdam (Royal Concertgebouw Orchestra, Netherlands Philharmonic, Rotterdam Philharmonic). He is a familiar figure in Scandinavia, with such orchestras as Oslo Philharmonic, Gothenburg Symphony, Danish National Symphony, Royal Stockholm Philharmonic, Swedish Radio Symphony, Finnish Radio Symphony and Helsinki Philharmonic. North American appearances to date have included the symphony orchestras of Chicago, Cleveland, Cincinnati, Baltimore, St Louis, Toronto, Atlanta, Montreal, Vancouver, Houston and Seattle. He has made highly successful tours to China, Korea, Australia and New Zealand.

Thomas is based in Copenhagen

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Season Highlights

Sep 2024
Orchestra Hall, Minneapolis
Minnesota Orchestra | Season Opening HECTOR BERLIOZ : Roman Carnival SERGEI RACHMANINOV : Piano Concerto No. 2 in C Minor, Op. 18 -- ANDREA TARRODI : Liguria OTTORINO RESPIGHI : Pines of Rome Soloist: Yunchan Lim
Oct 2024
Aberdeen, Edinburgh & Glasgow
Royal Scottish National Orchestra | Season Opening Programme 1 (Aberdeen) HUGO ALFVÉN : Bergakungen 'The Mountain King' Suite Op. 37 RICHARD STRAUSS : Oboe Concerto in D major, Op 144 -- EDVARD GRIEG : Peer Gynt Suite No. 1 & 2 Soloist: Adrian Wilson Programme 2 (Edinburgh & Glasgow) GUSTAV MAHLER: Symphony No. 2 'Resurrection' Soloists: Julie Roset & Linda Watson
Oct 2024
Symphony Hall, Birmingham
City of Birmingham Symphony Orchestra RICHARD STRAUSS : Don Juan, Op. 20 THOMAS ADÈS : Violin Concerto "Concentric Paths" -- JOHANNES BRAHMS : Symphony No. 2 in D Major Op. 73 Soloist: Leila Josefowicz

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Press

  • RSNO: Dvorak Symphony No. 6

    Edinburgh
    Nov 2023
    • "Thomas Søndergård shaped the opening movement with a gorgeous sense of heft, with the main theme slowly and beautifully filling out but always moving forwards purposefully. The sweet, sunlit slow movement benefited from drop-dead-gorgeous string tone, and a lucidly played Trio sat in the middle of a storming Furiant."